DEAD SOULS

Jun 20 thru 22
Sat to Mon 4:00, 8:00
Dir. Alex Cox - 2025 - 88m - Valid for Punch Cards
For his directorial swan song, Alex Cox (Repo Man, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers.
Here at this border town in 1890, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk, hot-headed cowherds and local outlaws, Strindler soon finds himself tangled up in his own tall tales.
The Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque, dark satire and genre curveballs you won’t expect.
A meditative, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal, and legacies are built on blood and gold.
"Juggling slapstick humour, political critique, trigger-happy action and surreal tangents, Dead Souls is a charmingly eccentric, mischievous late-career effort from an admirably uncompromising indie auteur." - The Film Verdict
"Wild, original! Dead Souls is funny in that offbeat, purely Cox kind of way." - Film Threat
"A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold, timely political Western situated in the borderlands of the 19th-century American West.” - Film International
"A jauntily odd and surreal love letter to the spaghetti West of the movies, and a satirical thorn in the flesh of Trumpian politics." - The Guardian
"A slow-burn fever dream from a director who never learned how to play it safe." - Westerns Al’Italiana