Coming Soon

Carmilla - available soon for our safe at-home virtual cinema viewing that'll partially support us too !

Jul 17 to Jul 31

Dir. Emily Harris - 2020 - 96m - UK

ONLINE AT-HOME VIEWING LINK AVAILABLE SOON WITH PART OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

Isolated from the outside world, fifteen-year-old Lara (Hannah Rae) lives in seclusion on a vast country estate with her father and strict governess Miss Fontaine (Jessica Raine). Late one evening, a mysterious carriage crash brings a young girl into their home to recuperate. Lara immediately becomes enchanted by this strange visitor who arouses her curiosity and awakens her burgeoning desires.

This atmospheric coming-of-age tale is inspired by the 1872 Gothic vampire novella by Joseph Sheridan Le Fanu.

"Lingnau and Rae create plenty of heat in their scenes together, nicely balanced by the chill of Raine's performance...." - Amber Wilkinson, Eye For Film

"Alternating between candle-lit interiors and sun-dappled gardens, Carmilla perfects the experience not just of first love, but of the heady excitement of being completely bewitched by someone new; as cinematographer Michael Wood (Let Me Go) relays in the feature’s most expressive, atmospheric touch, it’s hazy, ethereal and almost hyper-real. Indeed, as Lara and Carmilla gravitate towards each other in both infatuated dreams and stolen moments, and as Miss Fontaine’s suspicions increase, Harris always finds the right visual language to convey the movie’s simmering sentiments." - Sarah Ward, Screen Daily

"DoP Michael Wood makes glorious use of a summery English scenery and candlelit interiors for the beguiling sapphic ‘love story’ that certainly has its moments delicately evoked by the infatuated duo...." - Meredith Taylor, Filmuforia

"[A] complex, enchanting mystery which draws you in and leaves you obsessing over every last detail. " - Bianca Garner, Filmotomy

"It portrays its central relationship as playful, sensual and exciting rather than driven by plain lust and is all the more an affecting tale as a result, while the performances from its young leads are mesmerising in their raw empathy." - Andrew Marshall, Starburst Magazine

"Aesthetically, Carmilla is gorgeous, Blood reds on pale backgrounds are used to great effect, and the candlelit cinematography controls exactly what one can see – and what one thinks might be lurking in the shadows – at any time. The uniformly strong performances lean into this dread. Hannah Rae employs a blank face through much of Lara’s macabre imaginings, heightening the sense of unease. Jessica Raine is another standout, keeping Miss Fontaine’s cruel superstitions grounded in a genuine love for her charge – though neither Raine nor Harris excuse her actions." - Carmen Paddock, One Room with a View

"Stemming directly from the original text and thriving in its gloomy setting is Emily Harris’ 2019 adaptation, a wistful yet sensuous debut feature by the British director. Carmilla proves to be a successful adaptation that will appeal to anyone looking for some unearthly shivers, or a coming-of-age story where being conscious of one’s own sexuality takes centre stage." - Serena Scateni, Vague Visages

"It feels like it’s been a few years since we had a good old fashioned Victorian horror film.... So the moody, intelligent Carmilla (inspired by the gothic novel by Sheridan Le Fanu) is a welcome addition to the genre—not to mention a queer one! The movie is brimming with interesting motivations and relationships, and keeps you involved all the way through its poignant finale." - Justin Lockwood, Geeks Out

"Director/writer Emily Harris whips up an intoxicating affair between two women in Carmilla, as she takes her turn at adapting the 1872 Gothic novella by Sheridan Le Fanu. Harris takes a discerning stab at the book, with a sensual tale of first love and sexual awakenings packed full of beguiling and provocative imagery." - Katherine McLaughlin, SciFiNow

"Like Le Fanu, Harris’s keen sense for Gothic atmosphere is both sumptuous and menacing, often relying on the power of suggestion to build the tension around Carmilla’s true identity and purpose. Her use of gauzy, almost impressionist, light is particularly effective, imbuing the film with a diffuse and watery texture, as is the distinctive colour palette, which trades between daytime pastels and washed-out earth tones and a candelit tenebrism that evokes Derek Jarman’s and Peter Greenaway’s period films Caravaggio and Nightwatching and Lucile Hadžihalilovi?’s Innocence. Additionally, the pointillist sound design accentuates each movement and gesture onscreen, from the scurry of bugs to the buttering of toast, conveying something of Lara’s spine-shivering perspective as she recognizes in Carmilla her own unquenchable desires. The result is an adaptation less about the horrors of the unknown and more about the supernatural pleasures of love and sexuality – and the threat that such passions pose to the domestic and social order. Harris’s Carmilla is perhaps one of the most febrile, inventive and truest in spirit to Le Fanu’s original story, while it avoids the baroque clichés that have persistently separated the vampire subgenre from its Romantic roots. (To the director’s further credit, it should also be noted that the film was a largely female-driven project, from its women producers, mostly female cast and heads of department.) Her Carmilla is neither a succubus nor a sex kitten, but a spirited young woman whose embodiment of nature and sapphic desire makes her into a queer feminist, and, thus, a monster to be villainized and othered in the eyes of the patriarchy. " - Erik Morse, The Times Literary Supplement

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Carmilla - available soon for our safe at-home virtual cinema viewing that'll partially support us too ! poster

The Cuban - available soon for our safe at-home virtual cinema viewing that'll partially support us too !

Jul 31 to Aug 14

Dir. Sergio Navarretta - 2020 - 109m

ONLINE AT-HOME VIEWING LINK AVAILABLE SOON WITH PART OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

Academy Award winner Louis Gossett Jr. expands his repertoire of exceptional performances in the role of Luis, an elderly Cuban musician who is brought out of his shell by his care worker, a young Afghan immigrant named Mina. Mina’s attempts to get through to Luis, even just to feed him, are futile. That is, until she discovers the music. A poster of Benny More inspires Mina to hum a jazz tune that, to her surprise, ignites a spark inside him. As each day passes the music awakens Luis more and more until the colorful world of his past becomes vibrant and real again. Mina comes into her own as she gets to know him and their friendship blossoms.

THE CUBAN is a powerful heart-warming experience of music, friendship, family, and loyalty that highlights the humanity of some of the most vulnerable in our society and the light they are still capable of bringing those who care for them in their final days. It also highlights how unlikely friendships are formed through kindness and a desire to help those who are vulnerable.

"A carefully crafted creation weaving together neuroscience, romance, coming of age, and a bit of cultural conflict with the threads of trumpets, congas, guitars and vocals.  The story, written by Alessandra Piccione from a dream the first-time producer, Taras Koltun, had of reuniting with his grandfather in Russia, pulls the threads together into an entertaining tapestry that both taps your toes and tugs at your heart." - Patrick O’Heffernan, Indie Pulse Music

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The Cuban - available soon for our safe at-home virtual cinema viewing that'll partially support us too ! poster

Sunless Shadows - available soon for our safe at-home virtual cinema viewing that'll partially support us too !

Aug 7 to Aug 31

Dir. Mehrdad Oskouei - 2020 - 74m - Iran - In Persian with English Subtitles

ONLINE AT-HOME VIEWING LINK AVAILABLE SOON WITH PART OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INTERNATIONAL INDEPENDENT FILMMAKING!

The follow-up to Oskouei’s critically acclaimed Starless Dreams (2016), Sunless Shadows takes another look at the lives of teenage girls in an Iranian juvenile detention center. But this time the focus is narrowed: each of the film’s principal subjects is serving time for the murder of a male family member. One by one, Oskouei invites them to go into a room alone, push the red button on the camera and address their accomplices or their victims.

With this new confessional approach combined with the ever-deepening relationships he has with his subjects, Oskouei presents a picture of the disenfranchised in this aggressively male-dominated society and of the prison that is their shelter from it.

"Quietly but pointedly interrogates the notion of victimhood, while tacitly letting a damning essay on Iranian gender politics and hierarchies emerge through the words of [its] subjects." -Guy Lodge, Variety

 

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