Coming Soon

FRITZ THE CAT - 50th Anniversary Screenings as part of our Ralph Bakshi double feature!

May 24 to May 26
Tuesday to Thursday 4:30, 8:30

Dir. Ralph Bakshi - 1972 - 78m - Must be 18 Years or Older! No Matinees!


Maverick writer/director Ralph Bakshi (Heavy Traffic, Wizards) made his feature-length film debut with this audacious foray into adult-content animation, creating one of the most successful animated features of its time! Based on a legendary character created by underground comic book artist/writer R. Crumb, Fritz the Cat is a brilliant commentary on ’60s life and a “snarling satire that stubbornly refuses to curl up in anyone’s lap” (Playboy). It’s the age of awakening and Fritz, one way-cool cat and NYU student, loves to embrace every experimental experience that crosses his path. Embarking on a fantastic journey of self-discovery, he indulges in everything from multiple bedroom follies to a wild joy ride through a dangerous Harlem. But when Fritz joins a group of radically aggressive hippies, he finds himself holding the dynamite that will detonate the ultimate ’60s statement—one that could cost him his life!

"Excellent animation and montage shore up a plot which has a few howls, several chuckles and many smiles." - Variety

"Fritz the Cat looks back at the supposed "good times" of the 1960s with a biting sensibility that scratches out the eyes of nearly every sacred liberal institution." - B.L. Panther, The Spool

"For a movie that's largely remembered for being "the dirty animal cartoon," Fritz the Cat is also a surprisingly biting socioeconomic critique of 1960s counterculture." - Christopher Lloyd, The Film Yap

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FRITZ THE CAT - 50th Anniversary Screenings as part of our Ralph Bakshi double feature! poster

HEY GOOD LOOKIN' - 40th ANNIVERSARY screenings as part of our Ralph Bakshi double feature!

May 24 to May 26
Tuesday thru Thursday 6:30pm ONLY!

Dir. Ralph Bakshi - 1982 - 77m - No Matinees



From Cool World creator Ralph Bakshi, Hey Good Lookin’ is an outrageous, nostalgic and adult take on a more innocent time. Well, not that much more innocent: not every street corner was a Happy Days setting. Our hero, Vinnie, leader of the ragtag gang known as the Brooklyn Stompers, plays it cool. His lady, Roz, thinks he’s the most wonderful thing on two legs. And his off-the-wall, hot-wired friend Crazy Shapiro would die for the honor of Vinnie and the gang. They’re all sympathetic and familiar characters turned loose in a funky, surreal cartoon landscape that really packs a punch, just as the ‘50s-styled soundtrack of original songs by John Madara and Ric Sandler evokes playful memories. With Fritz the Cat, Heavy Traffic and Cool World, Bakshi made animation history mixing mature themes and hip humor. 

"One of Bakshi’s best" - Noel Murray, AV Club

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HEY GOOD LOOKIN' - 40th ANNIVERSARY screenings as part of our Ralph Bakshi double feature! poster


May 27 to May 30
Friday thru Monday 8:15pm ONLY!

Dir. Ninja Thyberg - 2022 - 105m - Must be 18 years or older!

Ninja Thyberg’s debut feature film PLEASURE is a journey into the Los Angeles porn industry through the lens of newcomer Bella Cherry (a stunning first time performance by Sofia Kappel). Strong, self-confident and determined, Bella embarks on a mission to become the best at any cost.

PLEASURE also written by Thyberg includes an ensemble of adult industry actors.

"Kappel's jaw-dropping and fearless performance blurs fiction and reality." - Carlos Aguilar,

"Thyberg doesn't shy away from the specifics of her milieu, but it's not an exposé on what pornography does to women as much as a harrowing examination of what the workplace expects and allows from women and men." - Alonso Duralde, TheWrap

"Grounded in years of meticulous research into the porn scene and cast with actors drawn entirely from that world except for Kappel herself, Pleasure is very persuasive in its evocation of the milieu." - Leslie Felperin, Hollywood Reporter

"With clarity, the most dire and disgusting aspects of the porn industry are highlighted in this technically accomplished if potentially divisive 18+ feature." - Emily Maskell, Little White Lies

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TALES FROM THE HOOD - the 1995 Horror Comedy Anthology

May 27
Friday 10:30pm

Dir. Rusty Cundieff - 1995 - 97m - All Seats $8


A creepy mortician, Mr. Simms (the late great Clarence Williams III !), attempts to scare teenage drug dealer Stack (Joe Torry) and his friends straight by telling them four horrifying stories. One is about a guilt-riddled cop (Anthony Griffith) who goes crazy after ignoring his corrupt partner (Michael Massee). He also tells of a meek schoolboy (Brandon Hammond) with terrifying supernatural powers. Although the young thugs want to take their drugs and escape Mr. Simms, he still has two more tales to tell.

"One of the smartest genre offerings of the era and, quite possibly, the best anthology of its decade." - Dustin Putman,

"A smart and sassy horror anthology that mixes blunt shocks and sharp satire." - Joe Leydon, Variety

"It ingeniously employs the multi-saga format popularized by the likes of Dead of Night and Tales from the Crypt as a springboard for an examination of real problems facing African-American communities." - Matt Brunson, Film Frenzy

"A landmark genre picture." - Mike McGranaghan, Aisle Seat

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TALES FROM THE HOOD - the 1995 Horror Comedy Anthology poster


May 27 to May 30
Friday thru Monday 3:45, 6pm

Dir. Ramon and Silvan Zurcher - 2021 - 99m - France - in French with English subtitles

As her roommate Lisa prepares to move out of their apartment, Mara contemplates the end of an era. Furniture is moved, walls painted, cupboards built. Amid all the hustle and bustle, secret longings and desires come to the surface and coalesce around the roommates as well as around Lisa’s mother Astrid, the movers, the girls’ old neighbors, the neighbors’ cat, Lisa’s new neighbor and an ever-expanding cast of characters. Day turns into night and one final party in the apartment. When the last box is moved, the fragments of their lives remain. 

The Zürcher brothers compose a poetic panopticon of forms of human relationships that is at once a study of everyday life, a fairytale and a psychological portrait of a brittle world. Following The Strange Little Cat, The Girl and the Spider is the second installment in a trilogy about human togetherness, a ballad about the need for closeness and the pain of separation. 

Critic’s Pick! "Wonderfully discombobulating…Demands and rewards repeat viewings; it’s different, and more entrancing, every time." - Ben Kenigsberg, The New York Times 

"A symphony of separation and solitude." - Allan Hunter, Screen International 

"Deliciously ambiguous…[The] Zürchers’ movies are like prisms, capturing the things people do when they think no one’s watching…and when they desperately wish they were." - Peter DeBruge, Variety 

"Thrilling, thrilling cinema. Order and chaos fighting it out at the level of form and content." - Erika Balsom, The Film Comment Podcast 

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Morning Toons with New Mexico Entertainment Magazine Is Back!!

May 28
Saturday 11:30 a.m. ONLY!

Dir. various - various - 60m approx - All Seats $10


Grab your pajamas, your blanket and take part in these Saturday morning events with your family and friends. New Mexico Entertainment brings you cartoons from your childhood on the big screen at The Guild Cinema. Kick back, have some breakfast, and enjoy the toons!

Morning Toons with NME is a LIMITED seat event

Morning Toons with New Mexico Entertainment Magazine Is Back!! poster

THE HOUSE OF THE DEVIL - the 2009 terrorizer is back!

May 28
Saturday 10:30pm ONLY!

Dir. Ti West - 2009 - 85m - ALL SEATS $10


From the director of the new movie X that plays ike a lost horror classic from 1982 ! A college student takes a strange babysitting job that coincides with a lunar eclipse and realizes her clients are planning to use her in a satanic ritual.   Starring Tom Noonan and Mary Woronov. 

"With The House of the Devil, audiences will once again be reminded of innovation in horror. Plus, they’ll also be reminded of how awesome owning a Walkman was ... If House of the Devil was put in a stack of horror flicks from 1979-1984, no one on the planet would ever realize it was made thirty years after the fact. What Ti West has achieved here as a director is creating a movie that’s not an homage – it’s a full on re-creation of the style, tone and story of the horror world of the early 80s that blends satanism and a nation’s deep concern for its babysitters."  - Dr. Cole Abaius, Film School Rejects









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THE HOUSE OF THE DEVIL - the 2009 terrorizer is back! poster


May 31
Tuesday 4pm, 6pm, 8pm

Dir. Philipp Virus - 2022 - 82m


An homage of one of the most influential bands on the American East Coast, which inspired the rock scene -- including Nirvana and Sonic Youth -- in the 1990s. Their style and unmistakable sound, later referred as "Grunge", laid the foundation for the entire "Slacker" culture of Generation X. It is also the story of the eloquent and eccentric guitarist and bandleader J. Mascis, the bassist Lou Barlow and drummer Murph and a band that insanely does not talk to each other. Communication takes place exclusively through music. Philipp Reichenheim nevertheless manages to make the closed and shy icons speak. An emotional, tragically funny and sometimes noisy rollercoaster ride by a dysfunctional family -- Dinosaur Jr. Through several decades, the film offers rare insights into the crazy everyday life of the band and illuminates the inner workings of a cult band from its beginnings in the 1980s and 90s to the present day.

"A grounded glimpse behind the scenes of one of the more mysterious legends in alt-rock" - NME

"Beautifully balances the giddiness of a fan and the warmth of a close friend." - The Guardian

"From start to end, the film is buoyed by its endearingly neurotic (or, in Mascis case, monosyllabic) subjects, and by their consistently great music." - Oscar Goff, Boston Hassle

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Jun 1 to Jun 2
Wednesday and Thursday 4pm, 6pm, 8pm

Dir. Lisa Hurwitz - 2022 - 79m

Once upon a nickel, before fast food, one American restaurant empire was unstoppable!

“"Said the Technocrat, to the Plutocrat, To the Autocrat, and the Democrat, Let's all go eat at the Automat." ? New York Evening Sun, 1933

Featuring Mel Brooks, Ruth Bader Ginsburg, Elliot Gould, Colin Powell, Carl Reiner, Howard Schultz and many others!

“The Automat” recounts the lost history of the iconic restaurant chain Horn & Hardart, which served affordable-priced quality food to millions of New Yorkers and Philadelphians for more than a century. Found by Joseph Horn and Frank Hardart in 1888, it revolutionized the nation’s restaurant scene with comfortable interiors, quality food, and state of the art technology for the early 20th century. The chain welcomed those who had been ignored, including immigrants, the working-class, Blacks, and women, all of whom were often not welcome in restaurants. Horn & Hardart’s technology captured the public’s imagination like nothing else in 1900’s— the customer put nickels into slots and little windows opened to reveal the customer’s pick, be it a slice of pie, macaroni and cheese, or a Salisbury steak. The gleaming glass and stainless-steel windows looked “sanitary” and like nothing else in existence. “The Automat” illustrates how the company both served the public with great food and at the same time treated its employees with fairness and integrity. 

The documentary’s theme song written in the Great American Songbook genre “(There Was Nothing Like The Coffee) At the Automat” was composed by comedian and writer Mel Brooks, who speaks with great affection about his days eating at the Automat. Brooks’ composer Hummie Mann is credited with writing the rest of the film’s score, which was done in the Gentleman’s Swing genre, and performed by a 26-piece orchestra.  

Mel Brooks is one of several prominent Americans paying homage in the film to the memory of a restaurant chain that once dotted the corners of two great cities.  The late Supreme Court Justice Ruth Bader Ginsburg, Secretary of State Colin Powell, actors Carl Reiner and Elliott Gould, the Horn family and the Hardart family, and dedicated former employees share memories of life at the Automat.  Starbucks Coffee founder Howard Schultz talks about how he was inspired to start his company because of Horn and Hardart.  

The Automats were also known for their outstanding décor with grand entrances and luxurious interior spaces embellished in Carrara marble and brass fixtures. Joseph Horn and Frank Hardart felt that inexpensive food should still be served in an elegant setting. Coffee dispensers featured dolphin head spouts out of which coffee cascaded, tables were marble, and windows framed in brass. A cashier mounted in the center made change so you could put your nickels and dimes into the slots of the little door windows to get your slice of pie, macaroni and cheese or a salisbury steak, which magically appeared from behind the other side of the wall.

Horn and Hardart was a favorite location for dozens of movies and televisions shows. Jean Arthur bantered with Ray Milland in front of the three-nickel pie slot, and Cary Grant spotted Doris Day entering the store. 

Director Lisa Hurwitz spent eight years interviewing dozens of celebrities and former employees and visiting far-flung places where collectors hoard the surviving remnants of the once spectacular Automat restaurants.  The audience will enjoy an endearing first time look into one of the most successful business ventures of its time through the eyes of those touched by their experiences.

"Joyous and a hoot to Watch" - Pete Hammond, Deadline

"A very accomplished debut film" - Hannah Brown, The Jerusalem Post

"Beguiling" - Joe Morgenstern, The Wall Street Journal

"Boasts unmistakable charms" - Stephen Farber, The Hollywood Reporter

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Jun 3 to Jun 6
Friday thru Monday 5pm ONLY!

Dir. Audrey Diwan - 2022 - 100m - France - In French with English subtitles

Based on Annie Ernaux’s semi-autobiographical novel, Happening follows Annie, a bright young student with a promising future ahead of her. When she becomes pregnant in 1960s France, where abortion is illegal, she resolves to act, no matter the risk.

"Timely and urgent, 'Happening' is a film that speaks to today's abortion debate." - NPR

"'Happening' Is a Grim But Timely Warning from 1960s France." - TIME

'"Happening' Is an Award-Winning French Drama About Abortion. It's Also the Most Urgent Movie of 2022" - Rolling Stone

"French Abortion Drama 'Happening' Just Became the Year's Most Timely Film" - Variety

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Late-Nite Stand Up Comedy!

Jun 3
Friday 10:30pm ONLY!

Dir. Various - Now - 60m approx - $15 in advance / $20 at the door


Ristras Productions Presents: A Stand-Up Comedy Special with Albuquerque’s Jess Wood,  Sarah Kennedy  & Josh Fournier headlining - with special host Alex Benton and guests Sean Lubin, Chuck Parker and Nate Todd!

ABOUT THE HEADLINERS - Jess Wood is originally from LA was born to hippies, raised by gangs and the first white girl on HBO Def Comedy Jam. Catch her 30min solo show LIVE every Tuesday  igtv “Get Wood” She was also featured in “Trial of the Chicago 7” on Netflix. Interested in merchandise? Jess understands everyone gets dickstracted once in awhile so she has ‘Easily Dickstracted’  t-shirts, tank tops and boy shorts for sale! Check out @getwood on all the platforms.

Sarah Kennedy wants to help you escape—and she said as much in an interview with The Atlantic—whether it’s through live stand-up comedy, through humor writing, or through countless events online.

She’s been featured on The Today Show, MTV and SiriusXM, performed in multiple comedy festivals across the country, and was also a finalist in NBC’s Stand-Up For Diversity nationwide comedy contest. She’s published pieces in The Advocate, Reductress, and GO Magazine, among others, and most recently, her original scripts have been performed on the Spec Script Podcast.

She co-wrote/co-directed/co-starred in the award-winning short film, The Fabulous (Name TBD)s, and lately, she’s been doing a lot of Zoom comedy shows.

Sarah’s always looking for a way to cheer people up and keep them laughing.

Joshua Fournier is a Native of New Mexico and a Literal Native. Hailing from the Navajo Nation, Josh has blazed a trail through the comedy Southwest scene. His comedic humor was honed as a Strip Club Do but has since moved to the comedy stage. Josh has performed at the Four Corners Comedy Festival two years in a row, Opened for Touring comics Such as Jake Daniels and Tony Dijamco on the Jokers and Jester's Comedy Tour, He's opened for Thai Rivera, Performed at Northern Edge Casino as well as Embarked on a Multi State Comedy Tour. He's won Numerous Comedy Competitions as well as Headlined shows through out New Mexico and Colorado. His Comedic Performance is something to witness as he's always bringing Energy to the Stage.

Late-Nite Stand Up Comedy! poster


Jun 3 to Jun 6
Friday thru Monday 7:15pm ONLY!

Dir. Gaspar Noe - 2022 - 142m - France - In French with English subtitles - No Matinees

Presented in split screen, VORTEX tells the story of an aging couple in a Paris apartment. As the mother (Françoise Lebrun, “The Mother and the Whore")) faces advancing dementia, the father (Dario Argento, the legendary director of “Suspiria,”) tries to care for her while dealing with his own declining health, and their son (Alex Lutz) does his best in spite of his own significant personal problems. With this film, Director Gaspar Noé (Enter the Void, Climax, Irreversible) delivers a career best, finding a level of compassion and tenderness that sacrifices none of the visual excitement that has marked his best work.



“AN EXTRAORDINARY FEAT.” - Screen International



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VORTEX poster


Jun 4
Saturday 10:30pm ONLY!

Dir. Rob Savage - 2022 - 77m - US/UK - ALL SEATS $8

A caustic online streamer’s anarchic behaviour triggers a non-stop nightmare in the latest screenlife frightfest from Rob Savage. Last summer, horror fans were terrorized by Rob Savage’s Host, a pandemic-produced scare factory that cannily captured our contemporary conditions as it depicted an online séance gone scarily wrong. With DASHCAM, Savage and his collaborators once more reflect our current cultural milieu, further distilling an extended lockdown’s worth of anxieties into a nonstop nightmare, but this time compellingly filtering them through the perverse perspective of a caustic and conspiratorial “always-online” troll in what has to be among the most chaotic horror protagonists ever encountered.

Framed within a livestream, an indie-rock musician portrays a self-consciously obnoxious exaggeration of her own polarizing online persona. Exasperated and depressed by her pandemic lifestyle in Los Angeles, she breaks quarantine for London, England, and the hospitality of a former bandmate. But when her fringe beliefs and selfish behavior incite contempt from her progressive friends, her response inadvertently propels her (and her online audience) into a perilous and profane high-wire horror chase through an increasingly foreboding English countryside.

With a manic momentum, innovative camerawork, and shockingly cavalier nihilism reminiscent of the original Evil Dead, Savage and his lead have fearlessly constructed an uncomfortable emblem of triggering social media extremities in this anti-hero, and they put her (and the unfortunate souls in her orbit) through a dizzying wringer of inventive gore, gallows humor, and impish provocations. Audiences will either smash that proverbial like button, or be incensed to tweet vitriol, but the discourse that erupts is guaranteed to leave a mark.

“A found-footage horror for the era of live-streaming ... some seriously grisly splatter effects.  Not just a film which is designed to be watched in a cinema, but one which should be viewed with the rowdiest audience available." -  Wendy Ide, Screen Daily 

“4 STAR REVIEW - The writing team of Savage, Gemma Hurley, and Jed Shepherd have once again crafted a dark and disturbing tale that will provide fresh nightmare fuel to sustain that started by Host.  Savage throws everything in his arsenal to keep the adrenaline levels surging ... Dan Martin’s FX sing once more.  As intense, action-packed, and terrifying as moments of Dashcam are, it is the comedy that really shines here.  Dashcam... is exactly the kind of wild genre film that cinema was made for.” - Kat Hughes, The Hollywood News 

“Shocking, wild and outrageous.  Savage’s direction is once again top-notch ... a hell of a good time.  This might be the wildest film you see this year or even this decade ... Another masterclass in terror from Savage.  Come for the shocks, but stay for the laughs.” - Maria Lattila , Film Hounds 

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Jun 7 to Jun 9
Tuesday thru Thursday 6pm ONLY!

Dir. Daniel Raim - 2022 - 88m - No Matinees

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called "the most powerful movie musical ever made." Narrated by Jeff Goldblum, FIDDLER'S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison's quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic.

Oscar-nominated filmmaker Daniel Raim puts us in the director's chair and in Jewison's heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters).

The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.

"It really lays out so lucidly the history... The clips that they show are revelatory in so many ways." - Peter Rainer, FilmWeek (KPCC - NPR Los Angeles)

“As wondrous, buoyant and heartwarming as the film it celebrates." - Gary Goldstein, Los Angeles Times

"The creative details and anecdotes will appeal most to both the shows fans and movie buffs, along with snippets of on-set footage from the production." - Robert Abele, TheWrap

"This is no ordinary behind-the-scenes documentary. For one thing, it chronicles the adaptation of a musical play that qualifies as a genuine phenomenon. Based on a story originally told in Yiddish, it has turned out to have universal resonance." - Leonard Maltin,

"Raim wisely works in many instances of “Fiddler” actors and music department members reciting lines or singing lyrics from the movie, often from memory." - Natalia Winkelman, New York Times

"This doc looks into Hollywood’s multicultural liberalism before the industry became obsessed with virtue-signaling and limited its enterprise." - Armond White, National Review

"If, like Tevye, you don’t remember growing older but can’t forget Fiddler after half a century, this film’s for you." - Tim Appelo, AARP Movies for Grownups

"A worthwhile exploration of the 1971 film version of Fiddler on the Roof and its place in the history of the musical." - Stephen Silver, Splice Today

"An affectionate tribute blending some behind-the-scenes material and mostly older interviews with the films star Topol and others." - Elias Savada, Film International

"A joyous deep dive into a musical and movie that is probably deserving of another revival." - Edward Douglas, The Weekend Warrior

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Jun 7 to Jun 9
Tuesday thru Thursday 3:45, 8pm

Dir. Roger Michell - 2022 - 96m - UK

Starring a fabulous Helen Mirren & Jim Broadbent!

Set in 1961 when Kempton Bunton, a 60-year old taxi driver, steals Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge – a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.

"A charming, understated and completely enjoyable frolic about how ordinary people can do extraordinary things that seems doubly startling because, while seeming implausible, it also happens to be absolutely true." - Rex Reed, Observer

"It’s a daft, lovely story, and it opens up like a flower – the final half hour is deeply and unexpectedly moving." - Ty Burr, Ty Burr's Watch List

The acting is world-class and Oscar-worthy portraying endearingly eccentric characters who sustain an enduring, but slightly demented, relationship. The result is delightful, moving, and richly satisfying..." - Michael Medved, The Michael Medved Show

"More than just a traditionally made movie about a man who goes on trial for stealing a valuable painting from London's National Gallery. It's also a witty and emotional drama about a family coping with grief." - Carla Hay, Culture Mix

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THE DUKE poster

A STAR IS BORN - A Pride Month Special!

Jun 10
Friday 10:30pm ONLY!

Dir. George Cukor - 1954 - 91m plus a pre- - A New Mexico Entertainment Magazine Special! All Seats $10


In honor of Judy Garland's 101 Birthday, New Mexico Entertainment presents a birthday celebration including a special screening of A Star is Born at The Guild Cinema. Performances throughout the evening and presale ticket holders will be entered to win door prizes.

STORYLINE: Hollywood actor Norman Maine is a celebrity whose star is on the wane, but when he meets aspiring actress Esther Blodgett, he is inspired to help her, and soon the two appear in a musical together. Now known as Vicki Lester, she marries Norman and finds herself in demand, while his reputation continues to decline, resulting in heavy bouts of drinking. Eventually, Vicki must choose between moving forward with her career and attempting to save her husband.

NME MOVIE NIGHT IS A LIMITED SEAT EVENT. It is STRONGLY ENCOURAGED that you arrive NO LATER THAN 10:10 PM to choose your seats and have time to grab something at concessions. Thank you!

PROCEDURES DURING SCREENINGS: The Guild Cinema is a mask-friendly venue. Masks are encouraged during our movie screenings (subject to change depending on current mandates by the State). We will also provide hand sanitizer and patrons will be reminded to perform basic hygiene practices while attending.

PLEASE NOTE: TICKETS ARE NON-REFUNDABLE. Please bring your payment receipt with your current state ID and check-in at the Guild Box Office 20 minutes before the show. If you do not have your receipt, please make sure if you have your ID. We will have a list at the box office. In the likelihood we have a sold-out performance or event, tickets are subject to be released for resale to those on the standby list if you have not checked ten minutes after the show starts. Thank you for your punctuality!

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A STAR IS BORN - A Pride Month Special! poster


Jun 10 to Jun 13
Friday thru Monday 4pm, 8:15

Dir. Ajitpal Singh - 2022 - 84m - India - In Hindu with English subtitles

In northern India, a breathtakingly beautiful Himalayan community attracts tourists by commingling South Asian and Swiss Alps aesthetics. Debut filmmaker Ajitpal Singh tells an unconventional story of feminist strength while “accentuating the [region’s] spectacular exteriors and wide-canvas nature shots” (Variety). One local woman competes with her neighbors for business while battling the strictures of patriarchy, a local infrastructure from hell, and religious superstitions. She saves money, uses feminine wiles to subvert the corrupt powers-that-be, and piggy-backs her son up and down the mountainside to medical appointments with condescending doctors. In the end, our heroine’s tightly wound grit must find release… in triumph, or madness, or both. 

“A powerful feminist tale. Deeply empathetic.” - Naman Ramachandran, Variety

“An entrancing reverie of Himalayan life in India. A mix of heavenly landscapes and desperate lives. An uncategorizable cinematic experience — and a haunting one.” - Christian Blauvelt, Indiewire

“Provocative. Breathtaking vistas of green hills, waterfalls, and snowy mountaintops…contrast with the high-stakes conflict the ensemble cast carefully weaves.” - Carlos Aguilar, Robert

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THE WOBBLIES - the restored 1979 labor doc classic!

Jun 10 to Jun 13
Friday thru Monday 6pm ONLY!

Dir. Deborah Shaffer and Stewart Bird - 1979 - 89m - No Matinees!

“Solidarity! All for One and One for All!”

Founded in Chicago in 1905, the Industrial Workers of the World (IWW) took to organizing unskilled workers into one big union and changed the course of American history. This compelling documentary of the IWW (or “The Wobblies” as they were known) tells the story of workers in factories, sawmills, wheat fields, forests, mines and on the docks as they organize and demand better wages, healthcare, overtime pay and safer working conditions. In some respects, men and women, Black and white, skilled and unskilled workers joining a union and speaking their minds seems so long ago, but in other ways, the film mirrors today’s headlines, depicting a nation torn by corporate greed.

Filmmakers Deborah Shaffer and Stewart Bird weave history, archival film footage, interviews with former workers (now in their 80s and 90s), cartoons, original art, and classic Wobbly songs (many written by Joe Hill) to pay tribute to the legacy of these rebels who paved the way and risked their lives for the many of the rights that we still have today.

Restored by the Museum of Modern Art and recently inducted into the National Film Registry of the Library of Congress.

“A vivid look into America’s radical past. Its heroes and heroines are filled with vitality—a rare attribute these days.” - Studs Terkel

“A history of the IWW, researched lovingly and corroborated by the reminiscences of some of the union’s former members. When the facts are presented as fully as they have been here, the feelings that accompanied them aren’t difficult to imagine." - The New York Times

“Conveys the conviction and strength of these union pioneers with straightforward grace.” - Michael Blowen, The Boston Globe

“Iconic. Innovative. Eerily echoing current times. Replete with gorgeous archival footage, the film pays tribute to American workers who took the ideals of equality and free speech seriously enough to put their lives on the line for them. A joyous chronicle.” New York Women in Film & Television


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THE WOBBLIES - the restored 1979 labor doc classic! poster


Jun 14 to Jun 16
Tuesday thru Thursday 8:15pm ONLY!

Dir. Daniel Kwan & Daniel Scheinert - 2022 - 140m

Starring Michelle Yeoh,  James Hong and Jamie Lee Curtis!

A hilarious and big-hearted sci-fi action adventure about an exhausted Chinese American woman (Michelle Yeoh) who can't seem to finish her taxes and is swept up in an insane adventure, where she alone can save the world by exploring other universes connecting with the lives she could have led..

"...this is the movie you've been waiting for, while asking, "Why don't they make good, original, non-Marvel movies anymore?" It's here, and now it's up to you to see what all the fuss is about." - Tom Santilli, Movie Show Plus

"The kind of imaginative, uncompromising effort that can get people excited about movies ... deserves to be seen some time, and somewhere." - Brian Lowry,

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IN BED WITH ULYSSES - in commemorate the 100th Anniversary of its publication!

Jun 14 to Jun 16
Tuesday thru Thursday 4:30, 6:15

Dir. Alan Adelson & Kate Taverna - 2013 - 80m

The story behind the writing, publishing, and censoring of ULYSSES. Using a wonderful combination of original footage, interviews and staged readings starring renowned actress Kathleen Chalfant, the film captures both the genius and madness of James Joyce and the toll ULYSSES took on its author and his family, the shock waves it caused around the world, the fight to censor and suppress it and it's ultimate liberation and impact. IN BED WITH ULYSSES not only celebrates the centennial one of the most important novels of the modern era but it also chronicles in depth the attempts to censor and ban ULYSSES especially in the United States where it lead to the single most important court case on banning works of art. ULYSSES was finally published in the US in 1933 after it won the court battle.

"A fascinating, human look at the author and “Ulysses,” his most famous novel" -  Los Angeles Times

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IN BED WITH ULYSSES - in commemorate the 100th Anniversary of its publication! poster


Jun 17 to Jun 20
Friday to Monday 3:30, 5:45

Dir. Various - 2022 - 95m

The 2021 Sundance Film Festival Short Film Tour is a 95-minute theatrical program of 7 short films selected from the 2022 Sundance Film Festival program, widely considered the premier showcase for short films and the launchpad for many now-prominent independent filmmakers for close to 40 years. Including fiction, documentary and animation from around the world, the 2022 program offers new audiences a taste of what the Festival offers and shows that short films transcend traditional storytelling. The Festival has always treated short films with the highest regard and gives a home to both established and new filmmakers with shorts for audiences to discover and celebrate. From documentary to animation,narrative to experimental, the abbreviated form is made for risk-taking. Short films are a significant and popular way artists can connect with audiences.  The Festival's Short Film Program has long been established as a place to discover talented directors, such as past alumni Andrea Arnold, Lake Bell, Damien Chazelle, Destin Daniel Cretton, Jay and Mark Duplass, Cary Joji Fukunaga, Debra Granik, Rashaad Ernesto Green, Reinaldo Marcus Green, Todd Haynes, Lynne Ramsay, Dee Rees, Joey Soloway, Taika Waititi, and many others. 

Goodbye Jerome! (Au revoir Jérôme!) / France (Directors and Screenwriters: Gabrielle Selnet, Adam Sillard, Chloé Farr — Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him. Animation. Voice Cast: William Lebghil, Alma Jodorowsky.

IF I GO WILL THEY MISS ME / U.S.A. (Director and Screenwriter: Walter Thompson-Hernández — Lil’ Ant is obsessed with Pegasus, the Greek mythological character, since first learning about him at school in Watts, California. He begins to notice imaginary airplane people around his home, and yearns to fly with them. Fiction. Cast: Anthony Harris Jr. Short Film Jury Award: U.S. Fiction.

MAKASSAR IS A CITY FOR FOOTBALL FANS / Indonesia/France (Director and Screenwriter: Khozy Rizal, Producers: John Badalu, Bruno Smadja, Khozy Rizal) — In a city where men have to go crazy about football, Akbar has to pretend to love the game in order to prevent rejection from his new college friends. Fiction. Cast: Sabri Sahafuddin, Muh. Saleh Hasanuddin, Atdriansyah Arismunandar.

Stranger Than Rotterdam with Sara Driver / U.S.A. (Directors: Lewie Kloster, Noah Kloster, Screenwriter: Sara Driver) — In 1982, the completion of Jim Jarmusch’s sophomore film, Stranger Than Paradise, hinged on producer Sara Driver’s willingness and ability to smuggle one of the world’s rarest and most controversial films across the Atlantic Ocean. Non-fiction / Animated. A Short Film Special Jury Award: Screenwriting.

Training Wheels / U.S.A. (Director and Screenwriter: Alison Rich, Producers: Olivia Aguilar, Bridgett Greenberg, Laura Schwartz, Peter Principato) — A socially inept woman rents one man to prepare for another. Fiction. Cast: Alison Rich, George Basil, Jack Cutmore-Scott, Zeke Nicholson, Kathy Yamamoto.

Warsha / France/Lebanon (Director and Screenwriter: Dania Bdeir, Producer: Coralie Dias) — A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. Fiction. Cast: Khansa. Short Film Jury Award: International Fiction.

You Go Girl! / U.S.A. (Director: Shariffa Ali, Screenwriters: Shariffa Ali, Kamilah Long, Courtney Williams) — Audrey, a New York City comedian who can make a joke of any situation, faces a staggering challenge in the beautiful mountains of Oregon. Can this city woman overcome her fears and rise Fiction. Cast: Tiffany Mann.

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Jun 17 to Jun 20
Friday thru Monday 8pm ONLY!

Dir. Saul Williams and Anisia Uzeyman - 2022 - 105m

Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends.

“The future of Black film. Pure cinematic power.” - Jourdain Searles, The Hollywood Reporter 

“Visionary. A journey of visual ecstasy.” - Valerie Complex, Deadline

“A mesmerizing Afropunk odyssey hacking at the boundaries of gender, technology, and class.” - Toussaint Egan, Polygon

“A percussive, transcendental Afrofuturist musical… sounds out with force and clarity.” - Charles Bramesco, Little White Lies

“A sensory delight… bursting with life and ingenuity.” - Jude Dry, Indiewire

“Hauntingly beautiful and deeply enigmatic.” - Lisa Kennedy, Variety

“A future cult classic in the making." - Dustin Chang, Screen Anarchy

“A truly distinctive vision.” - Eric Kohn, Indiewire 

"An anti-colonial call to arms, a sci-fi tale that looks at the future but is haunted by the past." - Leonardo Goi, MUBI Notebook

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PARIS IS BURNING - the restored classic doc in honor of Pride Month!

Jun 17
Friday 10:30pm ONLY!

Dir. Jennie Livingston - 1990 - 76m - ALL SEATS $10


It's Pride Month! That means it's time for Big Gay Movie Night! PRIDE & Equality Magazine and New Mexico Entertainment Magazine presents a film complete with drag performances by Tsunami Couture, Chastity Belt-Off, Oriah Lee and hosted by Vanessa Patricks. Presale tickets are automatically entered to win door prizes. Come dress to impress as this year's selection is Paris is Burning.

STORYLINE: This documentary focuses on drag queens living in New York City and their "house" culture, which provides a sense of community and support for the flamboyant and often socially shunned performers. Groups from each house compete in elaborate balls that take cues from the world of fashion. Also touching on issues of racism and poverty, the film features interviews with a number of renowned drag queens, including Willi Ninja, Pepper LaBeija and Dorian Corey.


PROCEDURES DURING SCREENINGS: The Guild Cinema is a mask-friendly venue. Masks are encouraged during our movie screenings (subject to change depending on current mandates by the State). We will also provide hand sanitizer and patrons will be reminded to perform basic hygiene practice while attending.

PLEASE NOTE: TICKETS ARE NON-REFUNDABLE. Please bring your payment receipt with your current state ID and check-in at the Guild Box Office 15 minutes before the show. If you do not have your receipt, please make sure if you have your ID. We will have a list at the box office. In the likelihood we have a sold-out performance or event, tickets are subject to be released for resale to those on the standby list if you have not checked ten minutes after the show starts. Thank you for your punctuality!

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PARIS IS BURNING - the restored classic doc in honor of Pride Month! poster


Jun 18
Saturday 1pm ONLY!

Dir. various - 2022 - 88m - Admission is a sliding scale starting at $6

BONUS:  NEW MEXICO WOMEN IN FILM will be co-hosting and moderating a special Q&A/talk after the screening!

Femme Frontera is a Latinx-led film organization made up of, and founded by women and non-binary filmmakers from the U.S.-Mexico border regions of El Paso, Texas, Las Cruces, New Mexico, and Cd. Juárez, Chihuahua, México. Their mission is to amplify films made by women and non-binary filmmakers from border regions around the world and to celebrate these unique voices through showcasing work, funding projects, and providing film education.

For this year's fest - 

EVERYTHING IS BLUE by: Micaela “Mica” Burgess - A young art curator discovers, to her horror, that she can only see the color blue.

THERE WAS NOBODY HERE WE KNEW by: Khaula Malik - After spotting what they believe is a UFO outside their window, a middle-aged Pakistani couple contemplates alien life and searches for answers during lockdown.

TIME AND THE SEASHELL by: Kii Nche Ndusta - This short film invites an audience to consider past, present, and future of a changing landscape and vanishing biodiversity.

VIVAS NOS QUEREMOS by: Saray Argumedo - A sin frontera collective effort between femm artists from different geographic locations. Voices, art, cantos, and music in solidarity with the missing and murdered Indigenous women, girls, trans, two-spirit relatives of the Americas. 

MIJO written and directed by: Mazdey Snob - Mijo is a young dreamer, suddenly blessed with the gift of King Midas. However, his ability has a unique twist: whatever and whoever he touches is stylishly pimped up.

NURTURE by: Ying-Fang Shen - Breast Milk comes quietly into the world at the time of birth to raise newborns. Sometimes they go even further and nourish more little lives through milk banks. 

FOLK FRONTERA by: Alejandra Vasquez - Folk Frontera is a magical-realist portrait of life in the borderlands. The film follows two fronteriza women as they struggle to find their place in the vast Chihuahuan Desert, a region whose culture is thousands of years old, but which is bisected by the U.S.-Mexico border.

LULLABY by: Khushee Hegde - The COVID pandemic brought an overwhelming sense of isolation and hopelessness. ???? (LULLABY) relates to the idea of the different emotions felt by people while quarantining inside their homes and how the ‘home’ becomes a space of constriction.

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TOP SECRET! - the 1984 laugh riot returns!

Jun 18
Saturday 10:30pm ONLY!

Dir. Jim Abrahams - 1984 - 90m - ALL SEATS $8


An American rock 'n' roll singer (Val Kilmer, making his feature debut) gets caught up in a wacky espionage mission in East Germany in this outrageous spoof from the Zucker-Abrahams-Zucker crew. Poking fun at teen musicals and spy thrillers, and pilfering beloved moments from "The Wizard of Oz," "Goldfinger," "The Sound of Music," "The Blue Lagoon," and the cinema of Steven Spielberg, this laugh-a-minute comedy co-stars Lucy Gutteridge, Omar Sharif, and Peter Cushing!

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TOP SECRET! - the 1984 laugh riot returns! poster


Jun 21 to Jun 23
Tuesday thru Thursday 4:15, 6:15pm

Dir. Anthony Banua-Simon - 2020 - 90m

he Hawaiian island of Kaua’i is seen as a paradise of leisure and pristine natural beauty, but these escapist fantasies obscure the colonial displacement, hyper-exploitation of workers, and destructive environmental extraction that have actually shaped life on the island for the last 250 years. CANE FIRE critically examines the island’s history—and the various strategies by which Hollywood has represented it—through four generations of director Anthony Banua-Simon’s family, who first immigrated to Kaua’i from the Philippines to work on the sugar plantations. Assembled from a diverse array of sources—from Banua-Simon’s observational footage, to amateur Youtube travelogues, to epic Hollywood dance sequences—CANE FIRE offers a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working class residents as extras in their own story.

“Through original and deftly assembled archival footage, Anthony Banua-Simon's debut documentary feature CANE FIRE considers the long arc of white, corporate economic & cultural pillaging of Hawaii.” - Patrick Dahl, Screen Slate

“A necessary corrective to the perception of Hawaiian identity that diagnoses the problem of representation in pop culture through the filmmaker’s own deeply personal lens.” - Eric Kohn, Indiewire

“CANE FIRE uncovers not one, but several underreported histories at the same time with equal parts reverence, relevance, and rage.” - Andrew Parker, The Gate

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CANE FIRE poster


Jun 21 to Jun 23
Tuesday thru Thursday 8:15pm ONLY!

Dir. Phil Tippett - 2022 - 83m


A corroded diving bell descends amidst a ruined city and the Assassin emerges from it to explore a labyrinth of bizarre landscapes inhabited by freakish denizens.

MAD GOD is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

In 1987, legendary visual effects and stop-motion craftsman Phil Tippett embarked upon an ambitious personal project, fabricating and animating a darkly surreal world in which the creatures and nightmares of his imagination could roam free.  Phil produced dozens of environments and hundreds of puppets for the project, filling notebook after notebook with thousands of detailed sketches and storyboards. 

Decades after the success of Tippett Studio forced production into stasis, a group of animators at Tippett Studio came upon boxes of shelved props and puppets.  After viewing the original footage, they convinced Phil to resurrect the project.  The small group began volunteering their weekends to MAD GOD, and before long it had snowballed into a crew of more than 60 artists.  A wildly successful KickStarter campaign provided funding for materials and equipment.

Each piece of MAD GOD is hand crafted, independent and created from the heart.  Sometimes that heart is bursting with love for the craft, while other times it's macabre, punctured, and bleeding. MAD GOD is a mature film crafted from techniques & technologies that span the history of cinema and the career of a true animation mastermind.

"A mad opus from one of American cinema's liveliest minds." - The Film Stage

"Phil brings humanity and empathy to every character he creates" - Kathleen Kennedy (President of Lucasfilm)

"Mad God exudes devotion, with every frame carrying decades worth of ideas and craft." - IndieWire

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MAD GOD poster


Jun 24 to Jun 27
Friday thru Monday 8pm ONLY!

Dir. David Cronenberg - 2022 - 107m

Iconic director David Cronenberg's newest starring Viggo Mortensen, Léa Seydoux and Kristen Stewart!

As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.

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Jun 24 to Jun 27
Friday 3pm, 5:30 plus 10:30pm / Saturday thru Monday 3pm, 5:30

Dir. Peter Strickland - 2022 - 111m - UK

Starring Asa Butterfield, Gwendoline Christie, Ariane Labed and from the great modern director of DUKE OF BURGUNDY, BERBERIAN SOUND STUDIO and IN FABRIC!

A sonic collective who can't decide on a name takes up a residency at an institute devoted to culinary and alimentary performance. The members Elle di Elle, Billy Rubin and Lamina Propria are caught up in their own power struggles, only their dysfunctional dynamic is furthermore exacerbated when they have to answer to the institute's head, Jan Stevens. With the various rivalries unfolding, Stones, the Institute's 'dossierge' has to privately endure increasingly fraught stomach problems whilst documenting the collective's activities. Upon hearing of Stones's visits to the gastroenterologist, Dr. Glock, Elle coerces him into her performances in a desperate bid for authenticity. The reluctant Stones puts up with the collective's plans to use his condition for their art whilst Jan Stevens goes to war with Elle over creative differences.

"Plays like a gonzo skit, and is hilariously unabashed on that level, but there’s clearly a level of commentary here regarding the crazy whims of artistry..." - Tim Robey, Daily Telegraph (UK)

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Capitol Barbie with BTS Featurette - A Pride Month Special Screening!

Jun 25
Saturday 1pm

Dir. Riley Del Rey - 2021 - 60m approx. - ALL SEATS $10 - A Riley Del Rey Special Productions!

Politics Are Never Pretty!

Capitol Barbie is a story that is yet to be told. In the series pilot audiences first meet Dolly Golightly and follow her first day as an intern for an ambitious congresswoman that plans to become the nation’s first latina president and Dolly’s relationships with fellow latinos on Capitol Hill. Once Dolly begins she soon discovers the dark truths about politics and how they work. She is forced to confront prejudices, conform and suffer the consequences when her identity as a transgender woman is outed with a relentless dismissal of the mere existence or concern for trans people. Capitol Barbie is an honest, striking look into the triumph of one woman whose story must not go untold. Filmed in NM.

Screenplay by trans and indigenous filmmakers, Riley Del Rey and Violet Martinez

BONUS: Behind The Scenes Featurette : Making of Capitol Barbie (20 mins)

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 Capitol Barbie with BTS Featurette - A Pride Month Special Screening! poster

NIGHTMARE ON ELM STREET 2: FREDDY'S REVENGE - in celebration of Pride Month!

Jun 25
Saturday 10:30pm ONLY!

Dir. Jack Sholder - 1985 - 85m - A DARK ROOM HORROR special! ALL SEATS $10


Freddy's back...and he wants revenge. When teenager Jesse Walsh moves to Elm Street, Freddy Krueger starts appearing in his nightmares. This time Freddy takes possession of Jesse's body whenever the teenager falls asleep, using Jesse to kill ... and there's nothing Jesse can do to stop him ... and there's a queer subtext all of over this movie as some have called it the gayest horror film ever!  Happy Pride Month!

"Mr. Patton and Miss Myers make likable teen-age heroes, and Mr. Englund actually turns Freddy into a welcome presence." - Janet Maslin, New York Times

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NIGHTMARE ON ELM STREET 2:  FREDDY'S REVENGE - in celebration of Pride Month! poster

Morning Toons with New Mexico Entertainment Magazine Returns!

Jun 26
Sunday 11:30 a.m. ONLY!

Dir. Various - Various - 60m approx - All Seats $10

Grab your pajamas, your blanket and take part in these Saturday morning events (this go round on a Sunday!) with your family and friends. New Mexico Entertainment brings you cartoons from your childhood on the big screen at The Guild Cinema. Kick back, have some breakfast, and enjoy the toons!

Morning Toons with NME is a LIMITED seat event

Morning Toons with New Mexico Entertainment Magazine Returns! poster


Jun 28 to Jun 30
Tuesday thru Thursday 4pm, 6:15

Dir. Graham Moore - 2022 - 105m - UK

From the Academy Award-winning writer of The Imitation Game (Graham Moore) comes this gripping and masterful thriller in which an expert tailor (Academy Award winner Mark Rylance) must outwit a dangerous group of mobsters in order to survive a fateful night.

"Tells a great story – sure to keep viewers enthralled" - Christina Newland,

"A pleasure to see a good yarn played out in such professional fashion." - Donald Clarke, Irish Times

"Its freshness is in the intelligence and surprise of the script. Like a well-made suit, it’s not old-fashioned — it’s classic." - Olly Richards, Empire Magazine

"A captivating and dynamic narrative, without sacrificing elegance and style." - Rafael Santisteban, Cinencuentro

"Stimulating and contained, reminiscent of the great classics of crime cinema of the 30s and 40s..." - Jorge Loser, Espinof

"Exceptional." - Ruben Peralta Rigaud, Cocalecas

"A well-crafted and satisfying whodunit with a performance by Rylance that guides the film like a steady hand." - M.N. Miller, Ready Steady Cut

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Jun 28 to Jun 30
Tuesday thru Thursday 8:30pm ONLY!

Dir. Ti West - 2022 - 105m

From the director of THE HOUSE OF THE DEVIL and INNKEEPERS starring Mia Goth, Jenna Ortega, Brittany Snow and Scott Mescudi!

 In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.

"This is really great, a throwback to those grindhouse films of the 1970s." - Tim Cogshell, FilmWeek (KPCC - NPR Los Angeles)

"X provides a map for how to do the classics right while still taking the formula somewhere original." - David Sims, The Atlantic

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X  poster


Aug 2 to Dec 31