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Dir. various - 2020 - 93m

CLICK HERE TO WATCH ALL THE SHORTS IN THEIR ENTIRETY!

**A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AND ARTHOUSE FILM CULTURE!

The 2020 Sundance Film Festival Shorts Tour is a 93-minute digital program of 7 short films selected from this year’s Festival. Widely considered the premier American showcase for short films and the launchpad for many now-prominent independent filmmakers for more than 30 years, the Shorts Tour includes fiction, documentary, and animation from around the world, giving new audiences a taste of what the Festival offers. The 2020 tour is currently available digitally; To purchase tickets and support your local cinema, view the tour schedule below.

Fueled by artistic expression and limited only by their runtime, short films transcend traditional storytelling. They are a significant and popular way artists can connect with audiences. From documentary to animation, narrative to experimental, the abbreviated form is made for risk-taking. The Festival has always treated short films with the highest regard and created a home for both established and new filmmakers with shorts for audiences to discover and celebrate.

The Festival's Short Film Program has long been established as a place to discover talented directors, such as past alumni Dee Rees, Taika Waititi, Debra Granik, Damien Chazelle, Wes Anderson, Jill Soloway, Spike Jonze, Paul Thomas Anderson, Trey Parker and Matt Stone, Lake Bell, Jay and Mark Duplass, Todd Haynes, Lynne Ramsay, Andrea Arnold, and many others.

Benevolent Ba / Malaysia, U.S.A. (Director and screenwriter: Diffan Sina Norman) — A devout woman's lust for virtue thrusts her family into a sacrificial slaughter of biblical proportions.

Blocks / U.S.A. (Director and screenwriter: Bridget Moloney) — An existential comedy about the mother of two young children who begins to spontaneously vomit plastic toy blocks. Note: Blocks not available on VOD program.

The Deepest Hole / U.S.A. (Director: Matt McCormick) — While the space and arms races are Cold War common knowledge, few know about the United States and Soviet Union’s race to dig the deepest hole. This is particularly surprising since Hell may have been inadvertently discovered in the process.

Hot Flash / Canada (Director and screenwriter: Thea Hollatz) — Ace is having a hot flash, and she's about to go live on local television. How one woman tries to keep her cool when one type of flash leads to another.

Meats / U.S.A. (Director and screenwriter: Ashley Williams) — A pregnant vegan struggles with her newfound craving for meat.

T / U.S.A. (Director and screenwriter: Keisha Rae Witherspoon) — A film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. t-shirts and innovative costumes designed in honor of their dead.

So What If The Goats Die / France, Morocco (Director and screenwriter: Sofia Alaoui) — Abdellah, a young shepherd living in the mountains, is forced to brave the snow blocking him in order to get food and save this cattle. Once he gets to the village, he faces a supernatural phenomenon. Winner, Sundance Film Festival Short Film Grand Jury Prize. 

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Dir. Sergio Navarretta - 2020 - 109m

WATCH NOW BY CLICKING HERE!   **PART OF THE SCREENING FEES GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!**

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

Academy Award winner Louis Gossett Jr. expands his repertoire of exceptional performances in the role of Luis, an elderly Cuban musician who is brought out of his shell by his care worker, a young Afghan immigrant named Mina. Mina’s attempts to get through to Luis, even just to feed him, are futile. That is, until she discovers the music. A poster of Benny More inspires Mina to hum a jazz tune that, to her surprise, ignites a spark inside him. As each day passes the music awakens Luis more and more until the colorful world of his past becomes vibrant and real again. Mina comes into her own as she gets to know him and their friendship blossoms.

THE CUBAN is a powerful heart-warming experience of music, friendship, family, and loyalty that highlights the humanity of some of the most vulnerable in our society and the light they are still capable of bringing those who care for them in their final days. It also highlights how unlikely friendships are formed through kindness and a desire to help those who are vulnerable.

"A carefully crafted creation weaving together neuroscience, romance, coming of age, and a bit of cultural conflict with the threads of trumpets, congas, guitars and vocals.  The story, written by Alessandra Piccione from a dream the first-time producer, Taras Koltun, had of reuniting with his grandfather in Russia, pulls the threads together into an entertaining tapestry that both taps your toes and tugs at your heart." - Patrick O’Heffernan, Indie Pulse Music

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Dir. Elizabeth Coffman & Mark Bosco, S.J. - 2020 - 97m

A NEW DOC ON THE AMAZING AUTHOR FLANNERY O'CONNOR!

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**A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AND ARTHOUSE FILM CULTURE!

Narrated by Mary Steenburgen and featuring interviews with Mary Karr, Hilton Als, Alice Walker, Tommy Lee Jones, Conan O'Brien and more, FLANNERY explores the author's life—and her enduring legacy in American literature—through her own writings and cartoons, archival footage and conversations with those who knew her best.

FLANNERY is the first-ever winner of the prestigious Library of Congress Lavine/Ken Burns Prize for Film, a distinction that recognizes documentarians who focus on American history. 

"FLANNERY is an extraordinary documentary that allows us to follow the creative process of one of our country’s greatest writers." — Ken Burns, Oscar-nominated Documentarian

"An example of documentary filmmaking excellence... a rich and complete portrait of the author. A VITAL WATCH"

 — Tallahassee Democrat

"For those who’ve read O’Connor and those who haven’t alike, it’s a strong entry point." — Vox

"A true joy to behold. WONDERFUL! “Flannery” has left me hungry to consume the writing of this troubled, joyous writer." — The Film Yap

"Certainly worth our attention" — ArtsFuse

"A treat for fans of O’Connor.  Much like a Flannery O’Connor short story. The documentary places its subject...among the great Catholic writers O’Connor was...one of literature’s miracles." — America Magazine

"For those who want to find out about the person behind the stories, “Flannery” is just the thing." — Our Sunday Visitor

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Dir. Emily Harris - 2020 - 96m - UK

WATCH NOW BY CLICKING HERE!   PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES OF BEING TEMPORARILY CLOSED TO THE PUBLIC FOR MONTHS - THIS IS A GREAT OPPORTUNITY TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT INTERNATIONAL FILMMAKING!

Isolated from the outside world, fifteen-year-old Lara (Hannah Rae) lives in seclusion on a vast country estate with her father and strict governess Miss Fontaine (Jessica Raine). Late one evening, a mysterious carriage crash brings a young girl into their home to recuperate. Lara immediately becomes enchanted by this strange visitor who arouses her curiosity and awakens her burgeoning desires.

This atmospheric coming-of-age tale is inspired by the 1872 Gothic vampire novella by Joseph Sheridan Le Fanu.

"Lingnau and Rae create plenty of heat in their scenes together, nicely balanced by the chill of Raine's performance...." - Amber Wilkinson, Eye For Film

"Alternating between candle-lit interiors and sun-dappled gardens, Carmilla perfects the experience not just of first love, but of the heady excitement of being completely bewitched by someone new; as cinematographer Michael Wood (Let Me Go) relays in the feature’s most expressive, atmospheric touch, it’s hazy, ethereal and almost hyper-real. Indeed, as Lara and Carmilla gravitate towards each other in both infatuated dreams and stolen moments, and as Miss Fontaine’s suspicions increase, Harris always finds the right visual language to convey the movie’s simmering sentiments." - Sarah Ward, Screen Daily

"DoP Michael Wood makes glorious use of a summery English scenery and candlelit interiors for the beguiling sapphic ‘love story’ that certainly has its moments delicately evoked by the infatuated duo...." - Meredith Taylor, Filmuforia

"[A] complex, enchanting mystery which draws you in and leaves you obsessing over every last detail. " - Bianca Garner, Filmotomy

"It portrays its central relationship as playful, sensual and exciting rather than driven by plain lust and is all the more an affecting tale as a result, while the performances from its young leads are mesmerising in their raw empathy." - Andrew Marshall, Starburst Magazine

"Aesthetically, Carmilla is gorgeous, Blood reds on pale backgrounds are used to great effect, and the candlelit cinematography controls exactly what one can see – and what one thinks might be lurking in the shadows – at any time. The uniformly strong performances lean into this dread. Hannah Rae employs a blank face through much of Lara’s macabre imaginings, heightening the sense of unease. Jessica Raine is another standout, keeping Miss Fontaine’s cruel superstitions grounded in a genuine love for her charge – though neither Raine nor Harris excuse her actions." - Carmen Paddock, One Room with a View

"Stemming directly from the original text and thriving in its gloomy setting is Emily Harris’ 2019 adaptation, a wistful yet sensuous debut feature by the British director. Carmilla proves to be a successful adaptation that will appeal to anyone looking for some unearthly shivers, or a coming-of-age story where being conscious of one’s own sexuality takes centre stage." - Serena Scateni, Vague Visages

"It feels like it’s been a few years since we had a good old fashioned Victorian horror film.... So the moody, intelligent Carmilla (inspired by the gothic novel by Sheridan Le Fanu) is a welcome addition to the genre—not to mention a queer one! The movie is brimming with interesting motivations and relationships, and keeps you involved all the way through its poignant finale." - Justin Lockwood, Geeks Out

"Director/writer Emily Harris whips up an intoxicating affair between two women in Carmilla, as she takes her turn at adapting the 1872 Gothic novella by Sheridan Le Fanu. Harris takes a discerning stab at the book, with a sensual tale of first love and sexual awakenings packed full of beguiling and provocative imagery." - Katherine McLaughlin, SciFiNow

"Like Le Fanu, Harris’s keen sense for Gothic atmosphere is both sumptuous and menacing, often relying on the power of suggestion to build the tension around Carmilla’s true identity and purpose. Her use of gauzy, almost impressionist, light is particularly effective, imbuing the film with a diffuse and watery texture, as is the distinctive colour palette, which trades between daytime pastels and washed-out earth tones and a candelit tenebrism that evokes Derek Jarman’s and Peter Greenaway’s period films Caravaggio and Nightwatching and Lucile Hadžihalilovi?’s Innocence. Additionally, the pointillist sound design accentuates each movement and gesture onscreen, from the scurry of bugs to the buttering of toast, conveying something of Lara’s spine-shivering perspective as she recognizes in Carmilla her own unquenchable desires. The result is an adaptation less about the horrors of the unknown and more about the supernatural pleasures of love and sexuality – and the threat that such passions pose to the domestic and social order. Harris’s Carmilla is perhaps one of the most febrile, inventive and truest in spirit to Le Fanu’s original story, while it avoids the baroque clichés that have persistently separated the vampire subgenre from its Romantic roots. (To the director’s further credit, it should also be noted that the film was a largely female-driven project, from its women producers, mostly female cast and heads of department.) Her Carmilla is neither a succubus nor a sex kitten, but a spirited young woman whose embodiment of nature and sapphic desire makes her into a queer feminist, and, thus, a monster to be villainized and othered in the eyes of the patriarchy. " - Erik Morse, The Times Literary Supplement

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Dir. Dawn Porter - 2020 - 96m

The Legendary civil rights hero and United States Congressman!

WATCH NOW BY CLICKING HERE! PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES! 

BONUS!  Immediately following the feature, there will be a pre-recorded discussion between Congressman Lewis and Oprah Winfrey, filmed last month and being made available exclusively for virtual cinema and in-theater engagements of the film. This is a wide-ranging, informal, 16-minute conversation that’s a perfect follow-up to the documentary, and could not be more relevant.  ADDITIONALLY, on 7/9 all ticket-buyers are welcome to stream a live panel discussion presented by the Freedom Rides Museum of Montgomery, Alabama, featuring Freedom Riders Dr. Bernard Lafayette and Dr. Rip Patton in conversation with director Dawn Porter. In partnership with the Capri Theater. The live panel begins at 8:00pm EST / 5:00pm PST and will also be archived to watch afterward.

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT DOCUMENTARY FILMMAKING!

Using interviews and rare archival footage, JOHN LEWIS: GOOD TROUBLE chronicles Lewis’ 60-plus years of social activism and legislative action on civil rights, voting rights, gun control, health-care reform and immigration. Using present-day interviews with Lewis, now 80 years old, Porter explores his childhood experiences, his inspiring family and his fateful meeting with Dr. Martin Luther King Jr. in 1957. In addition to her interviews with Lewis and his family, Porter’s primarily cinéma verité film also includes interviews with political leaders, Congressional colleagues, and other people who figure prominently in his life.

"There's a lot to glean from the battleground Lewis has stood on for six decades while demanding fairness, a hope, and dream, of every American. Good Trouble is of importance now more than ever." - Priscilla Ward, Salon.com

"Inspirational. Especially the moment when John Lewis watches never before seen archival footage of his own activism, just incredible!" - Morgan Rojas, Cinemacy

"His legacy is ample motivation for any student of history to see Good Trouble as a good investment." - Brian Lowry, CNN.com

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Dir. Yvan Attal - 2020 - 99m - France - in French with English subtitles

CLICK HERE TO WATCH THE MOVIE IN ITS ENTIRETY!

**A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AND ARTHOUSE FILM CULTURE!

Based on John Fante's great book - Henri is a middle-aged writer with fading inspiration. Feeling increasingly misunderstood by his family, he dreams of running away to start over again. Yet when he discovers a bad-mannered dog in his garden, he decides to adopt him, starting an unexpected friendship that inevitably upsets Henri’s family and neighbors. The bittersweet and moving comedy about love standing the test of time stars iconic real-life couple Charlotte Gainsbourg and Yvan Attal.

"A well-played and melancholic remarriage dramedy" – HOLLYWOOD REPORTER

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Dir. Bill Lichtenstein - 2020 - 120m

WATCH NOW BY CLICKING HERE!   PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

The amazing, untold story of the radical underground radio station set against the dazzling and profound social, political, and cultural changes in Boston and nationally, during the late-1960s and early-70s.  The film includes new and archival material from the leading figures of the day, including Noam Chomsky, Jane Fonda, Jerry Garcia and Duane Allman, Abbie Hoffman, Lou Reed, Bruce Springsteen in his first radio interview, and Patti Smith, performing in her first live radio concert.

“I watched the movie with awe . . ." -- Ty Burr, Boston Sunday Globe

“A fascinating doc . . . Timely as all hell.” — Jared Rasic, Source Weekly, Bend, Oregon

“Often raucous and merry . . . a loving profile.” — Tom Meek, Cambridge Day

“Lichtenstein’s film captures the station’s rollicking spirit and free-form style. . . “ - Peter Keough, Boston Globe

“WBCN and The American Revolution cements the radio station’s place in music history.” – Jim Sullivan, WBUR, Boston

“Stunning…” - Chris Faraone, Dig Boston

“It’s been killing on the festival circuit….” - Alene Bouranova, Boston Magazine

“Before commercialism, consultants, and greed sucked the soul out of original free-form underground rock radio, a small band of young heroes, women and men, black and white, straight and gay, passionate, political, funny as fuck, fearless and revolutionary, used the airwaves to expose the music and the ideas that shaped how every college kid thought, felt and acted for the rest of our lives.” - Rob Barnett, former CBS Radio President of Programming, and VH1 VP of Programming

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Dir. Makoto Nahahisa - 2020 - 120m - Japan - In Japanese with English subtitles - All Seats $8

WATCH NOW BY CLICKING HERE!  PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT INTERNATIONAL FILMMAKING!

When four young orphans—Hikari, Ikuko, Ishi, and Takemura—first meet, their parents’ bodies are being turned into dust, like fine Parmesan atop a plate of spaghetti Bolognese, and yet none of them can shed a tear. They are like zombies; devoid of all emotion. With no family, no future, no dreams, and no way to move forward, the young teens decide that the first level of this new existence involves salvaging a gaming console, an old electric bass, and a charred wok from their former homes—just enough to start a band-and then conquer the world. Tragedy, comedy, music, social criticism, and teenage angst are all subsumed in this eccentric cinematic tsunami.

A hyperstylized, hyperactive and hyper-fun movie spectacular.” — Jessica Kiang, VARIETY

“Blissful, whacked-out, inspired, juvenile, dementedly inventive

and hyper-energized.” — Todd McCarthy, THE HOLLYWOOD REPORTER

“Sends you out bopping along to the Little Zombies’ adorable four-on-the-floor dance- rock theme song, but also feeling as if you’ve been on a tough, honest-to-goodness journey of personal growth.” — Emily Yoshida, VULTURE

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Dir. Ramsey Dennison - 2020 - 79m

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A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

On October 1, 2017, Stephen Paddock opened fire on a crowd of over 20,000 concertgoers from his hotel room at Mandalay Bay in Las Vegas. In a matter of minutes, Paddock killed 58 people and wounded more than 400. It was the largest mass shooting in the history of the United States. Yet, just a couple of years later, Vegas seems to have forgotten about it completely. Needless to say, mass shootings are not good for business, and it didn’t take long for the Vegas money machine to get to work making this one disappear. In the aftermath of remarketing Las Vegas as a safe destination for tourists, many questionable practices were put into place—one of the most shocking being filing a lawsuit against the victims of this devastating tragedy. On top of that, despite the popular #VegasStrong movement and nationwide fundraising, there’s still a huge question of where all that money went. An enthralling documentary about the dark side of the Las Vegas economy, MONEY MACHINE exposes Sin City’s darkest secrets… including its culpability in this United States’s deadliest shooting.

"From interesting and well-intentioned, to heartbreakingly intense and fascinating." - Bobby LePire, Film Threat

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Dir. Christopher Munch - 2020 - 99m

WATCH NOW BY CLICKING HERE - PART OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES! 

A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT FILMMAKING!

Groundbreaking American filmmaking auteur Christopher Munch, director of THE SLEEPY TIME GAL and the recently restored indie classic THE HOURS AND TIMES, returns with his provocative, many-layered drama THE 11TH GREEN, starring Campbell Scott (House of Cards, Roger Dodger) and Agnes Bruckner (Blood and Chocolate, Blue Car).

Rife with hidden government secrets and Matrix-like mindbenders, THE 11TH GREEN is grounded in what is widely believed to be the nuts-and-bolts core story of post-war U.S. military and government involvement with UFO events.

"A thoughtful and compelling what-if, starring a never-better Campbell Scott." - Sheri Linden, Hollywood Reporter

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Dir. Nanni Moretti - 1993 - 100m - France, Italy - English, Italian and Mandarin with English Subtitles

CLICK HERE TO PURCHASE A VIRTUAL TICKET & WATCH THE MOVIE IN ITS ENTIRETY!

**A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AND ARTHOUSE FILM CULTURE!

Nanni Moretti recounts three entries from his “diary” in the hilarious and intimate self-reflective comedy CARO DIARIO, which follows the filmmaker’s musing on cinema atop a Vespa, a trip to the Aeolian Islands to work on his new screenplay, and his search for health and wellness after breaking out in a nagging skin rash.

Winner of Best Director at the 1994 Cannes Film Festival, CARO DIARIO is a “heroic tale, told with a child’s wide-eyed wonder” (Film Comment) from a “modern movie man, for whom images have effaced the boundary between life and art” (The New Yorker). New 2K restoration overseen by the film's director of photography Giuseppe Lanci. 

"This light-toned but thematically substantial autofiction is organized like a sequence of diary entries brought to life with Moretti’s wryly confessional voice-overs... [a] comedic vision of a way of life, rooted in humane warmth, at risk of being lost." - Richard Brody, The New Yorker

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Dir. Andrew Ahn - 2019 - 83m

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**PART OF THE SCREENING FEE GOES TO HELP US ALONG DURING THESE CHALLENGING TIMES!  IT'S A GREAT OPPORTUNITY TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!

Kathy (Golden Globe Nominee Hong Chau), a single mother, travels with her shy eight- year-old son Cody (newcomer Lucas Jaye), to Kathy's late sister's house which they plan to clean and sell. As Kathy realizes how little she knew about her sister, Cody de- velops an unlikely friendship with Del (Golden Globe, Tony winner and longtime acting legend Brian Dennehy) the Korean War vet and widower who lives next door. Over the course of a summer and with Del's encouragement, Cody develops the courage to come out of his shell and, along with his mother, finds a new place to call home.

"An All-Tool-Welcome Gift: A Film About Kindness"---Variety

"An Incredible Collection of Impeccable Performances"---The Wrap

"A Small Gem"---The Hollywood Reporter

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Dir. Dimitri de Clercq - 2018 - 116m - France, Germany, Belgium - In some French, Flemish & Berber with English subtitles

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!

In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman lost and alone. Jake, a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she's suffering from post-traumatic amnesia. Intoxicated by the woman's beauty, Jake claims to be her husband. He names her Kitty and takes her to his remote desert home to recuperate.

As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share – the life he has always yearned for. Little by little, Kitty begins to fall in love with him. But when shreds of her past begin to surface, Jake takes steps to ensure he will not lose the love of his life...

"CRITIC'S PICK! Shot in Morocco between searing sunlight and pillowy dunes, 'You Go to My Head' is a mysteriously elusive romance whose location is almost overpoweringly tangible. (The sensual cinematography is by Stijn Grupping.) Hacène Larbi's eerily dissonant score is as perfectly spare as the film's emotions, yet it imbues Kitty's situation with a mesmerizing, inchoate danger. The movie is clamoring to erupt into melodrama, but de Clercq, content to wallow in teasingly luscious and enigmatically staged images, happily isn't listening."  -Jeannette Catsoulis, THE NEW YORK TIMES

"VISUALLY STUNNING! From its desert landscapes to its principal setting of an architecturally distinguished house to its extremely photogenic lead actress, every frame of the psychological thriller proves visually stunning to behold...an atmospheric mood piece akin to Kubrick or Antonioni. Delfine Bafort delivers a mesmerizing, fascinatingly enigmatic turn that keeps us fully invested in her character's fate. By the time 'You Go To My Head' reaches its surprising conclusion, you will have become thoroughly caught in its mysterious grip."  -Frank Scheck, THE HOLLYWOOD REPORTER

"SUSPENSEFUL AND SENSUAL! Faint but discernible echoes of Hitchcock and Antonioni abound throughout 'You Go to My Head,' a coolly affected yet ineffably captivating drama that builds interest and sustains tension by teasingly frustrating audience expectations at almost every turn. This stylishly drama, exquisitely photographed by Stijn Grupping, gains emotional resonance from impressive lead performances by Delfine Bafort and Svetozar Cvetkovic. The deft interplay between the two is by turns suspenseful and sensual"  - Joe Leydon, VARIETY

"HITCHCOCKIAN! 'You Go to My Head' is a warped and lush tale of obsession, deception, and romance. Stijn Grupping's stellar cinematography beautifully captures the Moroccan Sahara Desert setting...it is a breathtaking, yet deadly location. With a hypnotic use of color, light, and sound, the film operates like an unworldly dream."  - Andrew Stover, FILM THREAT

"It’s not hard to see why Dimitri de Clercq’s first solo feature as a director has become a film festival favourite: You Go To My Head is a psychological thriller that increasingly grips and unsettles...and also benefits from gorgeous Moroccan landscapes lovingly shot, and spectacular architecture."  -Andrew Nickolds, Take One (UK)

"With echoes to the cinema of Antonioni, Hitchcock and Kubrick, de Clercq seeks and manages to build an eminently visual and sensorial experience."  -Laura Riera Forteza, Peli o Manta (Spain)

"What stays on your mind is the film’s imagery. Painted like an abstract work of art on a huge canvas, every scene stands out like the perfect visual form."  -Shilpa Sebastian R, The Hindu (India)

FOUR STAR REVIEW "A film has to move me. And that is exactly what You Go To My Head did. I loved this film, and will go to the ends of the earth to proclaim such sentiments. When you experience something this moving and gorgeous and unique, you can’t help but spread the word. And You Go to My Head is – from my perspective – a perfect film. It’s a memorable masterpiece. In other words, it 'went to my head'."  -Michael Klug, Horror Freak News

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Dir. Jeremy Hersh - 2020 - 93m

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!  **Use discount promo code guild **

Jess Harris (Jasmine Batchelor, “The Good Fight”), a 29 year old web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend Josh (Chris Perfetti, “Looking”) and his husband Aaron (Sullivan Jones, Slave Play). Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma. As they all consider the best course of action, the relationship between the three friends is put to the test.

"An absolutely terrific debut from Jeremy Hersh, and Jasmine Batchelor is fantastic." - Amy Nicholson, FilmWeek (KPCC - NPR Los Angeles)

"A beautifully calibrated film which begs to be experienced with an audience, it's also a rare gem seeing as it arrives from a new director and a new performer whose collaborative efforts have fashioned a film as thought provoking as it is moving." - Nicholas Bell, IONCINEMA.com

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Dir. Anca Damian - 2020 - 92m - France, Italy - English, Italian and Mandarin with English Subtitles

ONLINE VIEWING LINK AVAILABLE NOW BY CLICKING HERE WITH PART OF PROCEEDS HELPING US ALONG DURING OUR TEMPORARY PUBLIC CLOSURE!

The sixth feature from acclaimed director Anca Damian, this touching film chronicles the journey of a stray dog through a succession of wildly different owners. Featuring expressively handcrafted designs by Belgian artist Brecht Evens, the film's animation technique is colorful, spirited and pushes the medium into new directions, while its intimate story will strike a chord with anyone who has shared a special bond with a canine companion. 

** BONUS!  This virtual release will include a pre-recorded interview with the director Anca Damian, in which she discusses the origins of the film and process of bringing it to life.**

“Whimsical and poignant." - Los Angeles Times

"Gorgeous!  Undeniably lovely.” - Variety

"A constant delight." - Screen Daily

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Dir. Ivete Lucas and Patrick Bresnan - 2019 - 112m

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!  **use promo code guildcinema **

**our portion of the proceeds will go to Black Lives Matter ABQ New Mexico**

 Lucas and Patrick Bresnan paint a detailed and astonishing portrait of Pahokee, a rural village in the Everglades, Florida. Very close-knit, its inhabitants fight to face fragile financial situations and an uncertain future. Through a precise observational approach, the film captures the daily life of this city restoring a rich palette of nuances. From sporting events to beauty contests at school, filmmakers explore social and community rituals, and how gender and identity are portrayed as new stories are created. Going well beyond the teaching of Wiseman, which Lucas and Bresnan have perfectly integrated, the film seems to bathe in the singular atmosphere of a song of Gil Scott Heron, with lingering hints of rural blues tinged with urban echoes. A complex multi-faceted work that recalls both the raw social realism of the new American cinema and the neorealist style. Pahokee is the powerful portrait of a forgotten America, absent from the current political discourse.

"Lively and rousing as a generational snapshot, buoyed by the lovable, resilient kids at its heart.” - VARIETY

"Compelling in its exploration of the stunning marvels of the seemingly mundane, ‘Pahoke' astonishes, one subtle dramatic turn after the other.” - HAMMER TO NAIL

"Beautifully and thoughtfully composed (...) A warm and tender community portrait." - FILM INQUIRY

"Lucas and Brenan's debut captures youthful ambitions with abundant energy and variable insight." - THE HOLLYWOOD REPORTER

"A documentary full of hope, life and beauty in a place mostly known for its struggles." - REMEZCLA

Dir. Gary Lundgren - 2019 - 108m

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 PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!  JUST CLICK ON THE "CHOOSE THEATER DROP DOWN MENU" AND LOOK FOR THE "Albuquerque NM - Guild Cinema" OPTION! 

Defying the haze of midlife, two friends seize an unlikely opportunity to reinvent their lives, quitting their jobs to restore a bowling alley and serve the “world’s greatest pizza.”  

Divorced bartender Bobby Hoffman (James LeGros), living alone in the Airstream trailer inherited from his late mother, has drifted into a sleepy eddy.   Life passing him by and struggling to complete his graphic-novel opus, Bobby comes to believe his life is doomed – just a meaningless simulation written by some alien civilization. On Bobby’s birthday, when his old high school buddy Carlos (Jesse Borrego) tries to shake him awake with a bold new business venture, shadows rear up from the past and threaten to crush him.  

Does positive thinking still work at mid-life?  Can teamwork and friendship improve the odds for success of “the stupidest idea ever”?  Irresistible Tanya (Lisa Edelstein) stirs Bobby’s bravery until his passion and dreams begin to breathe again.  Enthusiastic Carlos (“you aren’t visualizing it!”) and his spirited, entrepreneurial family will not give up.  Finally, when Bobby’s comically awful boss, Kyle, (Diedrich Bader) has shrunk his piece of the pie to crust, playing it safe just doesn’t feel safe anymore.  

The road out of hiding and becoming a business owner, though at times exhilarating, isn’t easy.  Snarky bowling rival, Al, (Kevin Corrigan) pins him around every corner, while slick venture capitalist, Mario, (Reynaldo Gallegos), captures Tanya’s eye and hopelessly intimidates Bobby with his worldly charm.  When trouble and setbacks rear up, Bobby must decide whether he owns his life, or is merely a chump for his comic book aliens’ entertainment.  Finally, it’s his choice.    

The film takes a comedic look at the existential crisis many face when trying to find meaning and relevancy at mid-life. Despite controlling bosses, dead-end jobs, and broken relationships, the two leads stumble out of hibernation with courage and resilience, called to what may be their last chance to resurrect heartfelt dreams.

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Dir. Likarion Wainaina - 2018 - 74m - Kenya / Germany - In Spanish with English subtitles

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!

**our portion of the proceeds will go to Black Lives Matter ABQ New Mexico**

Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a Superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.

From first-time feature filmmaker Likarion Wainaina and co-producer Tom Tykwer comes this honest and inspiring story about the strength of young people in the face of adversity. Obsessed with Jackie Chan and action films, nine-year-old Jo dreams of being a superhero, but time is not on her side. When the doctors reveal that she is terminally ill, Jo leaves the hospital and returns home to be with her mom and sister. While her mom insists that she stay inside and rest, her sister has different plans. With the entire village's support, they decide to make dreams a reality and turn Jo into the superhero they know she is. Newcomer Stycie Waweru delivers a captivating and earnest performance, imbuing her character with a subtle strength that ignites the screen. This film is a stunning reminder of the power of imagination.

"Brutal and beautiful, melancholy and joyous, “Supa Modo” is simultaneously crushing and uplifting." - Brent McKnight, Seattle Times

"Endearingly bleak, charmingly honest, Supa Modo is not (only) a superhero movie, but it is super, heroic, a treat, even a blessing." - Eyeforfilm

"Balancing sadness with comedy and with a great cast, especially Stycie Waweruwho plays Jo, she lights up the screen and is able to see and understand what is happening to her but her illness isn’t going to stop her from having fun." - Katie Hogan, Vulture Hound

"A love letter to the power of escapism, a devastating portrayal of grief and a Kenyan family drama that defies stereotypes, Supa Modo serves as an important reminder that even when heroes die, they can continue to inspire others long after they’re gone." - David Opie, Little White Lies

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Dir. Pedro Costa - 2019 - 124m - Portugal - In Cape Verdean Creole with English Subtitles

Online viewing link available now by clicking here!

**our portion of the proceeds will go to Black Lives Matter ABQ New Mexico**

A film of deeply concentrated beauty, acclaimed filmmaker Pedro Costa’s Vitalina Varela stars nonprofessional actor Vitalina Varela in an extraordinary performance based on her own life. Vitalina plays a Cape Verdean woman who has travelled to Lisbon to reunite with her husband, after two decades of separation, only to arrive mere days after his funeral. Alone in a strange forbidding land, she perseveres and begins to establish a new life. Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, as well as an official selection of the Sundance Film Festival, Vitalina Varela is a film of shadow and whisper, a profoundly moving and visually ravishing masterpiece.

“Grade: A. A beautiful meditation on legacy, loss, and love. Visually masterful. Endlessly contemplative, transcendental.” — Jonathan Christian, The Playlist

“Masterful. Quite possibly the most beautiful film of 2020.” — Jordan Cronk, Film Comment

"One of the ten best films of the year." — James Quandt, Artforum

"Costa has made his most beautiful, haunting film yet. Vitalina is extraordinary." — Film Comment

"A plaintive and piercingly beautiful vision... Pedro Costa is one of our planet’s two or three greatest living filmmakers." — Christopher Small, Sight & Sound

“Staggeringly beautiful." — Dave White, The Wrap

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Dir. Allonzo Armijo - 2019-2020 - 30m approx.

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A screening of two short documentaries made in Albuquerque featuring subjects that are very special to the city and appreciated for their hard work and uniqueness.

Volunteer (Premiere): 92-year-old Howard Henry chooses to stay busy and avoid aging by going to work every day.  

All Styles Welcome (2019): In the heart of downtown Albuquerque, culture and community intersect at a small barber shop on Yrisarri Block.

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Dir. Alana DeJoseph - 2019 - 107m

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!

Narrated by Annette Benning, A Towering Task tells the remarkable story of the Peace Corps and takes viewers on a journey of what it means to be a global citizen.

In 1961, President John F. Kennedy gave young Americans the opportunity to serve their country in a new way by forming the Peace Corps. Since then, more than 200,000 of them have traveled to more than 60 countries to carry out the organization’s mission of international cooperation. Americans—young and old alike—still want to serve their country; current volunteers work at the forefront of some of the most pressing issues facing the global community.

Yet the agency has struggled to remain relevant amid sociopolitical change. More than once it had to fight for its very existence, and now—between COVID, a rise in nationalist sentiment and deep cuts to governmental-agency budgets—the Peace Corps is again confronting a crisis of identity: What role should it play around the world?

"Puts a human face on the Peace Corps - and makes sense of its history of idealism, improvisation, politics, and at times its failings. It is the most coherent and satisfying documentary I know of the Peace Corps, and I can't imagine a better one.  The film is enlightening, too, for being in large part the portrait of a period when America was outward looking and uncynical and generous...it shows the roots of such idealism, which is why it is so enlightening and uplifting." - Paul Theroux, Travel Writer & Novelist

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Dir. Hlynur Palmason - 2020 - 109m - Iceland, Denmark, Sweden - Icelandic with English Subtitles

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT INTERNATIONAL FILMMAKING!

ICELAND'S OFFICIAL BEST INTERNATIONAL FEATURE OSCAR SUBMISSION!

In a remote Icelandic town, an off-duty police chief (a chilling Ingvar Sigurdsson, who received Cannes’ Critics’ Week award for Best Actor for his performance) begins to suspect a local man of having had an affair with his late wife, who died in a tragic accident two years earlier. Gradually his obsession for finding out the truth takes over his life and inevitably begins to endanger himself and his loved ones. Combining classic thriller tropes with a distinctly Nordic arthouse sensibility, the second feature from Hlynur Palmason "engages in storytelling that’s both powerful and fresh throughout, marking him as a talent to watch” (The Hollywood Reporter).

"The Icelandic director Hlynur Palmason, in his second feature-length film, shows an acute sensitivity to the potential relations between environment and cinematic pace. He exercises that quality in ingenious and galvanic ways in "A White, White Day," an eerily gripping study of grief - and impotence in it its face - with the trappings of a revenge thriller." – Glen Kenny, The New York Times

The Oscars should have made room for the intense and elemental A White, White Day.” – AV Club

“As darkly comic as it is foreboding–and boasting an outrageously rich and nuanced central performance.” – The Film Stage

“Delves fearlessly into the cold heart of lonely masculinity.” – Cinema Scope

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Dir. Justin Pemberton - 2020 - 103m - New Zealand - In English and French with English subtitles

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**PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS CRITICALLY IMPORTANT DOCUMENTARY FILMMAKING!

Based on the international bestseller by rock-star economist Thomas Piketty (which sold over three million copies worldwide and landed Piketty on Time Magazine's list of most influential people), this entertaining documentary is an accessible journey through wealth and power, a film that breaks the popular assumption that the accumulation of capital runs hand in hand with social progress, and shines a new light on today's growing inequalities. Traveling through time, the film combines pop-culture references and interviews with some of the world's most influential experts to deliver an insightful and empowering journey through the past and into our future.

"A massive achievement, turning this weighty volume into enthralling cinema." - Richard Whittaker, Austin Chronicle

"Engaging and clear... Piketty is not only a brilliant economist but also one with a gift for making complicated ideas accessible." -Ben Kenigsberg, The New York Times

"A financial detective story that exposes our current crisis. Provokes a consistent sense of 'whoa!'" - Owen Gleiberman, Variety

"A spry, erudite, and consistently  watchable documentary. that articulates how we got here." - David Ehrlich, Indiewire

"The most important economics book of the year -- and maybe the decade." - Paul Krugman, The New York Times

"The book aims to revolutionize the way people think about the economic history of the past two centuries. It may well manage the feat." - The Economist

"A sweeping account of rising inequality... Piketty has written a book no one interested in a defining issue of our era can afford to ignore." - The New Yorker

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Dir. Anthonee Smith - 2019 - 8m

WATCH NOW BY CLICKING HERE AND DONATING WHATEVER YOU CAN!  ALL PROCEEDS GO TO BOTH THE FILMMAKER AND THE GUILD CINEMA!

Shot mostly in Albuquerque, this surreal comedy inolves a day when a man wakes up - or does he? In this dream like state he finds himself trapped in a world of cages

Dir. Abel Ferrara - 2020 - 116m - Italy - In English and Italian with English subtitles

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!   PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INTERNATIONAL INDEPENDENT FILMMAKING!

"Abel Ferrara's first dramatic feature since 2014's Pasolini reteams the filmmaker and his frequent lead Willem Dafoe, who delivers a career-best performance as the title character, an older American expat living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent, unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film. Tommaso is easily Ferrara and Dafoe's most personal and engrossing collaboration to date, a delicately surrealistic work of autofiction marked by the keen sensitivity of two consummate artists." - Film at Lincoln Center

"A gripping look at the process of escaping to a better life, only to find that the old one follows along at every turn... Manages to feel rough and risky while somehow sensitive at the same time, like the best of them." - Eric Kohn, Indiewire

"Willem Dafoe is one of our greatest actors... Tommaso feels alive." - Owen Gleiberman, Variety

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Dir. Hong Sangsoo - 2020 - 86m - Korea - In Korean with English subtitles

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A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT INTERNATIONAL FILMMAKING!

One of Hong Sangsoo’s most delightful comic mysteries is now available in the U.S. When painter Youngsoo (Kim Joohyuk) learns that his girlfriend, Minjung (Lee Yooyoung), was recently seen having drinks with another man, he can’t help but question her about it. It doesn’t go well and they part on bad terms. The next day, Youngsoo tries to find her, but can’t. As he wanders and frets, Minjung has a series of encounters with other men. But to them it seems she’s not herself.

Featuring a supporting cast of Hong regulars including Kwon Haehyo, Yu Junsang and Kim Euisung, YOURSELF AND YOURS is a pleasing puzzle full of mistaken identity, excessive drinking and lots of he-said, she-said. As the rumors pile up, Hong asks: In a relationship, how important is it to know everything?

“Immensely satisfying… A wise and gently absurdist allegory about how best to approach relationships.” – Scott Tobias, Variety

"An essential chapter in the big book of Hong... For those who haven’t yet been introduced to this singularly idiosyncratic Korean auteur, Yourself and Yours is as good a place to start as any.” - David Ehrlich, IndieWire

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Dir. Mark Cousins - 2015 - 71m

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!  

PART OF THE SCREENING FEE WILL GO TO HELP US ALONG DURING THESE CHALLENGING TIMES OF TEMPORARY CLOSURE!

75 years ago the bombing of Hiroshima showed the appalling destructive power of the atomic bomb.  Mark Cousins’ bold new documentary looks at death in the atomic age, but life too.  Using only archive film and a new musical score by the band Mogwai,  Atomic shows us an impressionistic kaleidoscope of our nuclear times: protest marches, Cold War sabre rattling, Chernobyl and Fukishima, but also the sublime beauty of the atomic world, and how X Rays and MRI scans have improved human lives.  The nuclear age has been a nightmare, but dreamlike too.

"Ambitious, distinctive work that captures the sheer strangeness of the Atomic age; a feast for the mind and the senses." - PJ Nabarro, One Room With A View

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Dir. Jean-Luc Godard - 1964 - 97m - France - In French with English subtitles

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**A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AND ARTHOUSE FILM CULTURE!

Franz (Sami Frey) and Arthur (Claude Brasseur) don’t have money, jobs, or prospects, but they do have a black convertible and a shared romantic interest in Odile (Anna Karina). When Odile lets slip that a stash of cash is ineptly hidden in the isolated villa where she lives, the men hatch a plan to take it for themselves.

"A LUSTROUS RESTORATION! MASTERPIECE! [GODARD]’S MOST CHARMING AND, ARGUABLY, INFLUENTIAL FILM: A FREE-ASSOCIATIVE MEDITATION ON THE GANGSTER GENRE THAT REVEALED A NEW WAY OF FRAMING OUR DREAMS AND OUR REALITY. THERE WOULD BE NO BONNIE AND CLYDE WITHOUT IT." — DAVID EDELSTEIN, NEW YORK MAGAZINE

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45m

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!   **SUGGESTED DONATION OF $10 WOULD HELP US A LOT!**

75% OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES!   THANK YOU OSCILLOSCOPE LABORATORIES FOR YOUR GENEROSITY !

For the first time ever, CatVideoFest is available to screen virtually outside of theaters! Long time CatVideoFest curator extraordinaire, Will Braden, has crafted a 45-min "treat" of a reel that includes the very best videos from CVF's illustrious history.

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Dir. Halina Dyrschka - 2020 - 93m

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS GREAT INDEPENDENT DOCUMENTARY FILMMAKING!

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum (with over 600,000 attendees), af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Director Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value.

“Bristles with the excitement of discovery and also with the impatience that recognition has taken so long. It refreshes the eyes and the mind.” – A.O. Scott, THE NEW YORK TIMES

“ONE OF THE BEST FILMS I’VE SEEN ABOUT FINE ART. 

It casts an entrancing spell that allows the staggering depth of its subject’s work to consume us.” — Matt Fagerholm, ROGEREBERT.com

“GORGEOUS... GOES FAR DEEPER THAN THE SURFACE...

making an airtight case for af Klint’s ascension 

to an elevated place in art history.” — Shana Nys Dambrot, LA WEEKLY

“An illuminating articulation of the era’s social and cultural complexities. It’s more than worth a look—not only for its careful illumination of the artist’s biography, plus an abundant representation of her luminous paintings, but for the way in which it exposes the obstacles af Klint and her legacy faced.” — Christopher Knight, LOS ANGELES TIMES

“One of the 8 Best Movies You Can Watch at Home.” — Alissa Wilkinson, VOX.com

“An exhilarating chance to catch up with a brilliant artist's inventions. It's an eloquent contribution to af Klint's rediscovery, which began four decades after her 1944 death. It's also a cogent argument for why that rediscovery impels nothing less than a rewriting of art history.” — Sheri Linden, THE HOLLYWOOD REPORTER

“Her work holds a special place in my heart, it feels like magic. Beyond The Visible is a BEAUTIFUL documentary about her life and work.” Actress DAKOTA JOHNSON on Instagram

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Dir. Jon Abrahams - 2020 - 101m

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PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!  THANK YOU FOR YOUR SUPPORT!

Starring Jon Abrahams, Mark Webber, Nicole Elizabeth Berger, Chazz Palminteri, Ron Perlman, Erika Christensen, Julia Jones, Tichina Arnold, Jessica Szohr, Michael Godere and Jake Weber.

Two brothers "Irish Twins"- down on their luck, and in debt to a dangerous crime boss, must go on the run to save themselves, and a seemingly innocent teenage girl, after a job goes wrong, and she kills the crime boss’s only son.

"The blackly comedic tone is consistent enough to allow for such a wild turn of events to feel at home." - Jared Mobarak, The Film Stage

"Abrahams has the right idea for screen energy, keeping things on the move." - Brian Orndorf, Blu-ray.com

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Dir. Istvan Szabo - 1985 - 151m - Hungary, Germany, Austria - In German with English subtitles

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE! 

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"István Szabó led his country's cinema from relative obscurity to one of the best and most innovative film industries in Europe." - Roger Ebert

Set in the lead up to WWI, Szabó's Cannes Grand Jury-winning Colonel Redl charts the rise of Alfred Redl to head of counter-intelligence of the Austro-Hungarian Army. His hidden homosexuality, however, is used against him by enemies of the state, putting both his professional standing and his country's security in dire straits. The film was nominated for Best Foreign Language Film in 1985, the third  of four such Academy Award nominations Szabó's films earned.

"At the center is Klaus Maria Brandauer delivering a dazzling, virtuoso performance." - The Times  

"Fascinating." - David Denby, New York Magazine 

"Visually brilliant...Brandauer at his very best." - David Sterritt, Christian Science Monitor  

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Dir. Istvan Szabo - 80m - 106m - Hungary - Hungarian - in Hungarian with English subtitles

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Nominated for the Academy Award and Szabó won Berlin's Silver Bear for Best Director.

In World War II-era Hungary, the resistance pairs two unrelated members to act as husband and wife in an effort to stay hidden in plain sight. Will they be able to maintain the illusion without giving in to their growing feelings for each other? 

"Arguably the best film directed by the most popular of post '60s Hungarian filmmakers, Confidence is a taut tale."   - J. Hoberman, Village Voice

"The central performances are flawless."  - Time Out 

"Subtle, haunting imagery, fine acting and directorial concern make this almost Kafkaesque film an absorbing drama." - Variety

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Dir. Bruno Barreto - 1976 - 110m - Brazil - In Portuguese with English subtitles

                                                   View now by clicking here!

Part of your purchase will go to helping us in these challenging times!  A great way to support both your local arthouse cinemas during our temporary closure and quality international filmmaking!   See instructions for viewing this title after rental purchase by clicking here.

Based on the novel by Jorge Amado, this Golden Globe and BAFTA-nominated comedy follows the strange events that befall Dona Flor (Sonia Braga) after she is left a widow by the death of her wild, irresponsible husband. Shortly after remarrying, she finds her new, less-than-satisfying sex life revived when the ghost of her late husband unexpectedly returns. 

Newly restored, the “marvelously funny” (Time Magazine) DONA FLOR AND HER TWO HUSBANDS was an instant international hit, launching the career of the “bewitchingly beautiful” (People) Sonia Braga and becoming (at the time) Brazil's highest grossing box office feature.

"Brazil’s all-time top-grossing film (it even outdrew Jaws) is an erotic delight. Directed by 23-year-old Bruno Barreto, and shot in Bahia, Brazil’s answer to San Francisco, it tells the story of a young woman who can’t seem to forget her dead husband. Never mind that he was a drunk, a philanderer and a compulsive gambler—he was also a terrific lover, something her second spouse clearly is not. Sonia Braga is bewitchingly beautiful as the young widow, and Jose Wilker sparkles as the roguish husband who returns to haunt her dreams. Lots of laughs, with some very steamy love scenes that confirm they do more in Brazil than drink coffee and attack soccer referees." - People Magazine

"This wonderfully sexy and funny comedy, a variation on BLITHE SPIRIT, shattered Brazilian box-office records and proved very popular worldwide, chiefly because of Braga's tremendously sensual presence. [E]ntertaining and erotic...." - TV Guide

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Dir. Nikolaus Geyrhalter - 2019 - 115m

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PART OF THE SCREENING FEE GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!  THANK YOU KIM STIM &  MIKA KIMOTO!!

EARTH was filmed at seven locations that humans have transformed on a grand scale: Entire mountains being moved in California, a tunnel being sliced through rock at the Brenner Pass, an open-cast mine in Hungary, a marble quarry in Italy, a copper mine in Spain, the salt mine used to store radioactive waste in Wolfenbüttel and a tar sands landscape in Canada. Initially shown from above as abstract paintings, these terrains are subsequently explored on the ground: The film weaves together observational footage of machines in operation with conversations with the workers. Alongside statements on work processes, environmental damage and technological change, EARTH makes this constructed world visible in unique fashion by subtly paring it down: the piles of grey matter, hills and mountains. The blackness and the cracks. The sandy landscapes, criss-crossed by an array of mechanical devices that scuttle about like caterpillars or worms. The dimensions are gigantic, the proportions out of control; the world has slipped from humanity’s grasp. “There is always a bigger machine, a bigger engine and when all fails there is dynamite. We always win,” boast a quarry worker. Or do we?

"Aesthetically exhilarating and spectacular!” — Tony Pipolo, Artforum

FILM OF THE WEEK! "Spectacular, even awe-inspiring.” — Jonathan Romney, Film Comment

"Despite its apocalyptic visions, it feels curiously optimistic because Geyrhalter hasn’t given up on us.” — Manohla Dargis, New York Times

"A most timely film in the light of a looming Sixth Extinction brought on by capitalist 'development'." — Louis Proyect, Counterpunch.org

"Geyrhalter brings fresh eye to 7 big digs and conversational knack to diverse workers. Big machines are cool to watch until you are forced to think about the damage they do." — Nora Lee Mandel, Maven's Nest

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Dir. Louie Schwartzberg - 2019 - 81m - No Matinees

AVAILABLE FOR ONLINE VIEWING NOW BY CLICKING HERE FOR A SPECIAL AT-HOME-SAFE SCREENING!  PART OF THE PROCEEDS GO TO SUPPORTING THE GUILD CINEMA IN THESE CHALLENGING TIMES!  A GREAT WAY TO SUPPORT INDEPENDENT DOCUMENTARY FILMMAKING AND YOUR LOCAL INDEPENDENT MOVIE THEATER!

A consciousness-shifting film that takes us on an immersive journey through time and scale into the magical earth beneath our feet, an underground network that can heal and save our planet. Through the eyes of renowned scientists and mycologists like Paul Stamets, best-selling authors Michael Pollan, Eugenia Bone, Andrew Weil and others, we become aware of the beauty, intelligence and solutions the fungi kingdom offers us in response to some of our most pressing medical, therapeutic, and environmental challenges. 

"Schwartzberg’s film quickly proves to be one of the year’s most mind-blowing, soul-cleansing and yes, immensely entertaining triumphs.” - Matt Fagerholm rogerebert.com                                                                                          "A charming blend of science and conjecture, FANTASTIC FUNGI wants to free your mind." — Jeannette Catsoulis, The New York Times    

"Do not miss “Fantastic Fungi,” one of the most beautifully powerful and intellectually stimulating films of the year and perhaps even the decade." -Pamela Powell Reel Honest Reviews

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Dir. Dan Sallitt - 2020 - 94m

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**A GREAT WAY TO SUPPORT YOUR LOCAL INDEPENDENT CINEMA LIKE US AND INDEPENDENT FILMMAKING!!**

Mara and Jo, in their twenties, have been close friends since middle school. Jo, the more outgoing figure, is a social worker who runs through a series of brief but intense relationships. Mara, a less splashy personality than Jo, bounces among teacher aide jobs while trying to land a position in elementary education, and writes fiction in her spare time. She too has a transient romantic life, though she seems to settle down after meeting Adam, a mild-mannered software developer. It soon becomes apparent that Jo, despite her intellectual gifts, is unreliable in her professional life, losing and acquiring jobs at a troubling rate. Substance abuse may be responsible for Jo’s instability… but some observers suspect a deeper problem. Over the course of a decade, the more stable Mara sometimes tries to help, sometimes backs away to preserve herself, but never leaves behind her powerful childhood connection with Jo.

“A wonderful, subtly devastating film from a voice in American independent cinema that will hopefully become better known." — Ian Mantgani, Little White Lies

“Two outstanding performances... Medel is marvelous, utterly engaging. Kuhling is a knockout." — Neil Young, Hollywood Reporter

"With the Oscars expanding its horizons this year, it’ll be interesting to see if anyone gives worthier performances than Tallie Medel as a frustrated teacher’s aid, and Norma Kuhling as her magnetic but unstable childhood friend." — David Ehrlich, Indiewire

“A bittersweet breakup movie. It’s rare in cinema to see such a fine-grained portrait of friendship, particularly a spiky female one." — Jamie Dunn, Sight & Sound

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Dir. Luchino Visconti - 1976 - 129 - Italy / France - In Italian with English subtitles

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Part of your purchase will go to helping us in these challenging times!  A great way to support both your local arthouse cinemas during our temporary closure and quality international filmmaking! See instructions for viewing this title after rental purchase by clicking here.

Gabriele d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill).

Newly restored, L'INNOCENTE is a “luscious stab to the heart of the aristocracy” (Los Angeles Times) that is “among the most beautiful [and] disciplined films” Visconti ever made and a “fitting coda to [his] career” (The New York Times).

"[L'innocente is] among the most beautiful and severely disciplined films [Visconti] has ever made. "The Innocent" is also one of Visconti's most terse, most dramatically economical films. There's not a superfluous frame in it. Further, it is splendidly performed by Mr. Giannini... and by Miss Antonelli, whose childlike face and voluptuous body combine to form a kind of ideograph that tells us what the film is all about. "The Innocent,"... is a fitting coda to the Visconti career. It's a film of effortless command in which the director's presence is everywhere felt — and nowhere intrudes." - Vincent Canby, The New York TImes

"The lavish, colorful depictions of stately villas with their sumptuous furnishings and immortal art work and the characters’ exquisite attire are matched by the director’s carnal delight in the beautiful people themselves. He films Giannini, Antonelli, and O’Neill with a rapt tenderness, capturing their exchanges of glances across crowded rooms or empty space with closeups of a rare magnetic power. These ravishing images are matched by the mellifluous, modulated voices that pour out grief in lofty and delicate phrases—and conceal, with the same rhetorical flourishes, deeply calculated machinations of an imperial cruelty." - Richard Brody, The New Yorker

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Dir. Albert Serra - 2019 - 132m - France, Portugal, Spain & Germany - In French, German & Italian with English subtitles

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Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and all moral boundaries. What begins as an evening of strategizing on the proliferation of libertinage, descends into a Sadean night of pansexual one-upmanship.

Liberté is a singular cinematic experience only Albert Serra could deliver, a film in which increasingly dramatic acts of pain and pleasure unfold in counterpoint to cinematographer Artur Tort’s luminous images of moonlit sylvan spaces. As Serra and his committed team of regular performers and newcomers "open the gates of Hell" and explore the limits of the erotic imagination, you won’t be able to look away.

“One of the most radical films to play in the Official Selection of Cannes ever.” -Mark Peranson, Cinema Scope

"The most explicit movie about the 18th century ever made.” -Eric Kohn, Indiewire

“Awe-inspiring.” -Scout Tafoya, Rogerebert.com

“Audaciously perverse.” -Carson Lund, Slant

“A major event in the history of cinematographic art.” -Dominique Païni, Art Critique

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Dir. Istvan Szabo - 1981 - 146m - Hungary - in German, Hungarian with English subtitles

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From the Hungarian auteur Istvan Szabo - The 1981 Academy Award-winning (Best Foreign Language Film) Mephisto concerns a passionate, but struggling actor (Klaus Maria Brandauer) who remains in Germany during the Nazi regime and reaps the rewards of this Faustian pact by finally achieving the stardom he has long craved.   

"There has been precious little incisive appraisal of the precise seductive allure of fascism, and certainly none to match that offered by Szabó's remarkable film." - Paul Taylor, Time Out (London)

"This film is a work of art. The film transmits its messages so forcefully that no one can remain unaffected." - Ingmar Bergman

"One of the greatest movie performances I've ever seen. A performance of electrifying power." - Roger Ebert, Chicago Sun-Times

 "Magnificent and distinguished. It's more than a mercy, it's a coup." - David Thomson 

"Few have dared what Brandauer accomplishes: showing us a good actor responding to the same neurotic drive for the center of the stage, the immortalizing role. His is a great performance, nothing less." - Richard Schickel, TIME Magazine   

"Brilliant metaphorical filmmaking." - Bruce McCabe, Boston Globe

"Possesses an inner momentum and the film as a whole, with its dynamic leading performance, has an energy reminiscent of the films of Andrzej Wajda." - David Shipman

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Dir. Christophe Honore - 2020 - 86m - France - In French with English subtitles

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Winner of the Un Certain Regard - Cannes Film Festival!  In this playful new film from writer-director Christophe Honore (SORRY ANGEL, LOVE SONGS), we meet Maria, a woman dissatisfied with her marriage who, aftea heated argument with her husband of 20 years, spends the night in room 212 of the hotel across the street from their home. 

There, she has a bird's eye view of her apartment, her husband, and her marriage. In this comic romp, she confronts her past lovers and relationships on one magical night, fantasizing about the lives she could've lived and wondering if she's made the right decisions.

“Real emotions around loyalty, devotion and how to ensure love never dies. It is a film as charming as it is touching.” – Screen Daily

“A dainty, whimsical exploration into the embers of love rising from the ashes” - George Nash, Flickering Myth

“Playful and buoyant, there’s a wonderful effervescence” - Nicholas Bell, Ion Cinema

“Christophe Honoré gives the romantic comedy genre a shot in the arm in this portrait of spousal strife” - Iana Murray, Little White Lies 

“Breezy and bright, with the stylized look and feel of a stage play” - Stephen Dalton, The Hollywood Reporter

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Dir. Puloma Basu and Rob Hatch-Miller - 2020 - 83m

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!

Other Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when 

the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio.

“Celebrates and immortalizes the culture of the record store.” - Jen Aswad, Variety 

“One of the worlds greatest record store's gets a fitting eulogy.” - John DeFore, The Hollywood Reporter

"As hubs like Other Music struggle to remain in existence, we think it's important to celebrate what spaces like these have meant to people in the 

past, and to explore how their spirit can live on in an increasingly digital world" - Lydnsey Havens, Billboard

"While the documentary is ostensibly lighthearted in its nostalgic take on music culture, a hint of rage lies beneath the surface." - Susannah Gruder, Hyperallergic

"For 21 years, Other Music offered more than just records and CDs…but a public space for conversation, experimentation and concerts…

Bittersweet paean that this is, however, it is filled with the joy of happy memories, as one interviewee after another pays homage to what once was." - Christopher Llewellyn Reed, Hammer To Nail

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Dir. Cesar Diaz - 2019 - 78m - Guatemala, Belgium - In Spanish with English subtitles

CLICK HERE TO PURCHASE A VIRTUAL TICKET & WATCH THE MOVIE IN ITS ENTIRETY!  

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Winner Camera D’or, Cannes Film Festival!

Guatemala, 2018. The whole country is immersed in the trial of the soldiers who sparked the civil war. Victim statements come one after another. Ernesto is a young anthropologist working for the Forensic Foundation; his job is to identify the missing. One day, while hearing the account of an old woman, he thinks he has found a lead that might guide him to his father, a guerrillero who went missing during the war. Against his mother’s wishes, he flings himself body and soul into the case, looking for truth and resilience.

“As witnesses of the genocide, the Mayan women of Guatemala are the bridge between past and present, repositories of memory and conduits for justice…” – Variety

"…offers an example of remembrance and resilience. His film erupts like a shout in the darkness that surrounds this often overlooked massacre that cost mostly Indian lives, and paints the heartbreaking portrait of a mother and her son.” – Cineuropa

“At a time when the current Guatemalan government has proposed a bill to pardon war crimes committed in the civil war which raged between 1960 and 1996, and which led to more than 200,000 deaths (an estimated 80%+ of them Mayans), this film about the shared trauma of this kind of systematic killings, and how it is passed on down the generations, demonstrates the power of the arts in ensuring that these stories are told and not forgotten.” – Letterboxd

Awards and Festivals

Winner SACD Award, Critics Week, Cannes Film Festival, Winner Silver Hugo New Directors, Chicago Film Festival, Winner Best Photography, Film Festival Oostende, FIPRESCI Nominee, Jerusalem Film Festival, Winner Best Director & People’s Choice Awards, Pingyao Film Festival.

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Dir. Ann Bromberg - 2019 - 16m approx

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An intimate biographical sketch of a renowned native New Mexican painter as he redefines himself in his art studio while battling a progressive brain disorder, PCA or Posterior Cortical Atrophy. This compelling narrative is unique in its presentation through the cinematic language that focuses on the stigma of the disease, both personal and professional, within a vibrant art community. The story unfolds as the filmmaker, Ann Bromberg, makes frequent studio visits to Veguita, New Mexico, for two years documenting Brian’s process to complete new paintings. The outcome of Painting Gray reveals the short and long term effects of PCA through the mind of master painter Brian O’Conner.

Dir. Jules Dassin - 1955 - 122m - France - in French with English subtitles

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After making such American noir classics as The Naked City and Brute Force, blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious heist in the City of Lights. At once naturalistic and expressionistic, this melange of suspense, brutality, and dark humor was an international hit and earned Dassin the Best Director prize at the Cannes Film Festival. 

CRITICS' PICK! "THE BEST OF ALL HEIST MOVIES!" – Alan Scherstuhl, The Village Voice

CRITICS' PICK! "IMMORTAL! AN INFLUENCE ON EVERY HEIST MOVIE THAT FOLLOWED." – Time Out New York

FOUR STAR REVIEW! – Chris Cabin, Slant Magazine

"A MEDITATIVE MAGNUM OPUS!  THE UNFORGETTABLE MASTERPIECE OF CRIME!" – Indiewire

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Dir. Alex Thompson - 2019 - 101m

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 PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!  

Flailing thirty-four-year-old Bridget (Kelly O’Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’s moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family.

“A brash, funny, very savvy feminist comedy.” —Gerald Peary, THE ARTS FUSE

“A likeable film elevated by its crisp, summery look and warm score.” — David Rooney, THE HOLLYWOOD REPORTER

“Kelly O’Sullivan, who also wrote the film, gives a truly excellent performance.” — Brian Tallerico, ROGER EBERT.COM

“A laser-sharp analysis of femininity, motherhood, and love’s complexities.” — Roxana Hadadi, PAJIBA

“In saying what’s been long been unsaid, SAINT FRANCES gives audiences something to talk about.” — Stephen Saito, MOVEABLE FEST

“There are big laughs in the movie, to be sure, but it’s the quiet moments that make Saint Frances such a gem.” — Patrick Bromley, F THIS MOVIE!

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Dir. Cedric Klapisch - 2019 - 110m - France - In French with English Subtitles

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PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT FILMMAKING!

In this Parisian bitter sweet romance from Cédric Klapisch, warehouse employee Rémy (François Civil) and research assistant Mélanie (Ana Girardot) have never met, but they live parallel lives: they reside in neighboring apartment buildings, ride the same subway route, and are troubled by bouts of insomnia and depression. Their days punctuated by unfulfilling jobs, they seek meaningful romantic and platonic connection. As they stumble through psychotherapy, dating apps, fainting spells, and family visits, the seemingly star-crossed duo orbit around each other but remain just out of reach. Klapisch spins a delicate “what-if” from their compartmentalization, exploring our increasingly hermetic modern urban life. 

”Klapish has] this singular knack for examining with SENSITIVITY and DETAIL the relationship highs and lows of the 40-and-under crowd”— VARIETY

“ENTERTAINING slow-burn Parisian romance”— THE GUARDIAN

“ARTFULLY film therapy drama! AMBITIOUS!” — THE TIMES UK 

“Cedric Klapisch reinvents the romantic comedy” – Psychologies Magazine

” A sweet urban tale about today’s youth” – Premiere

"Funny, Modern, Deeply Moving. Cedric Klapisch encapsulates our time." - France Inter

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Dir. D.W. Young - 2020 - 99m

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AND REMEMBER TO SUPPORT YOUR LOCAL BOOKSTORES IN WHATEVER WAY YOU CAN!

Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. THE BOOKSELLERS takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.

“THE BOOKSELLERS" IS A DOCUMENTARY FOR ANYONE WHO CAN STILL LOOK AT A BOOK AND SEE A DREAM, A MAGIC TELEPORTATION DEVICE, AN OBJECT THAT CONTAINS THE WORLD.” – VARIETY

“A TREAT FOR ANYONE WHO APPRECIATES THE PRINTED WORD.” – THE HOLLYWOOD REPORTER

“A FASCINATING LOOK INTO THE WORLD OF RARE BOOK DEALERS”– LIT HUB

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Dir. Lee Grant - An Oscar-winning actor and a trailblazing documentarian!!

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FOR "WHAT SEX AM I?" CLICK HERE

FOR "DOWN AND OUT IN AMERICA" CLICK HERE

FOR "WHEN WOMEN KILL" CLICK HERE

FOR "BATTERED" CLICK HERE

**PART OF THE SCREENING FEES GOES TO HELPING US ALONG DURING THESE CHALLENGING TIMES!

Kicked off as part of a 13 film series on Grant at NYC's Film Forum earlier this year we're excited to bring a number of Grant's non-fiction films as director to repertory cinemas across the country. Featuring Best Doc Oscar winner Down and Out in America, When Women Kill, Battered, and Grant's pioneering exploration of the Trans experience What Sex Am I? Most of the films have been largely unavailable since their release, until now.

WHAT SEX AM I? - Groundbreaking document of the trans experience in 1980s America rings shockingly familiar with contemporary audiences.  [57m - 1985] View a trailer

DOWN AND OUT IN AMERICA - Winner of the 1987 Academy Award for Best Documentary Feature, legendary actress/director Lee Grant's groundbreaking portrait of Regan-Era America is as timely and terrifying as ever.  [57m - 1987]. View a trailer

WHEN WOMEN KILL - An exploration the lives of women behind bars, and the often impossible circumstances that led them there.  Featuring a terrifyingly complex interview with Manson Family member Leslie Van Houten, "When Women Kill" provides a much needed look at a particular corner of American Culture, and the American Penal system. [57m - 1983] 

BATTERED - Acclaimed investigation of domestic violence in American Homes is the powerful, if harrowing portrait of a life lived in constant fear of the people closest to you.  Grant gives us a sharp look into the intimate lives of people who have escaped, succumbed to, or continue to live with domestic violence. From the victims and children of this cycle, through to eye opening and heart breaking conversations with the abusers themselves.   [57m - 1989]   View a trailer

Dir. Alex Rivera and Cristina Ibarra - 2020 - 95m

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**PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS INDEPENDENT DOCUMENTARY FILMMAKING!**

A docu-thriller that tells the true story of young immigrants who are detained by Border Patrol and thrown into a shadowy for-profit detention center—on purpose. Marco and Viri are members of the National Immigrant Youth Alliance, a group of radical DREAMers who are on a mission to stop unjust deportations. And the best place to stop deportations, they believe, is in detention. However, when Marco and Viri attempt a daring reverse ‘prison break,’ things don’t go according to plan. By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, THE INFILTRATORS tells an incredible and thrilling true story in a genre-defying new cinematic language

“A doc mixing interviews, real-time action and reenactment in exciting ways, THE INFILTRATORS tells a true story so inspiring it’s a wonder it isn’t better known.’ — John DeFore, THE HOLLYWOOD REPORTER

“Exceedingly smart.” — Eric Kohn, INDIEWIRE

“The docu-thriller’s experimental approach makes for a compelling watch.” — Isabelia Herrera, NEW YORK TIMES

“THE INFILTRATORS pushes the boundaries of form while delivering a message of searing content.” — Christopher Llewellyn Reed, HAMMER TO NAIL

“Delivers an encouraging example of the power of a united people, and it opens a window into the abuses and inhumane separations that are carried out under the guise of protecting the nation.” —Carlos Aguilar, THE WRAP

“Part gripping documentary, part high-energy heist flick.” — Kiko Martinez, SAN ANTONIO CURRENT

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Dir. Mark Bozek - 2020 - 74m

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Told in Bill Cunningham’s own words from a recently unearthed six-hour 1994 interview, the iconic street photographer and fashion historian chronicles, in his customarily cheerful and plainspoken manner, moonlighting as a milliner in France during the Korean War, his unique relationship with First Lady Jackie Kennedy, his four decades at The New York Times and his democratic view of fashion and society. Narrated by Sarah Jessica Parker, The Times of Bill Cunningham features incredible photographs chosen from over 3 million previously unpublicized images and documents from Cunningham.

"An entertaining, briskly paced and solid introduction to fashion photographer Bill Cunningham" - Avi Offer, NYC Movie Guru

"With the release of Mark Bozek's affectionate documentary, "The Times of Bill Cunningham," fans can revisit this humble man who still feels like an old friend.... Bozek's film honors an original, whose work remains as influential as it is inspiring." - Gary M. Kramer, Gay City News

"The photos alone are worth watching the film, but getting to know the man behind the art makes it all the better." - Lorry Kikta, Film Threat

"This is "street fashion" photographer Bill Cunningham at his lightly-guarded, offhand, charming and modest best." - Roger Moore, Movie Nation

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Dir. Lee Grant - 1981 - 50m

CLICK HERE TO PURCHASE A VIRTUAL TICKET TO WATCH THE MOVIE IN ITS ENTIRETY!

PART OF YOUR VIEWING FEE WILL GO TO BOTH US THE MOVIE THEATER AND THE DISTRIBUTOR!  A GREAT OPPORTUNITY IN THE TIMES WE'RE IN TO SUPPORT BOTH YOUR LOCAL INDEPENDENT CINEMA AS WELL AS VITAL INDEPENDENT DOCUMENTARY FILMMAKING!

Grant's feature length directorial debut follows eight women in America's heartland who are driven by gender discrimination to picket the bank where they work, in the dead of a Minnesota winter. Risking jobs, friends, family and their place in the community, the Willmar 8 began the longest bank strike in American history in a dramatic attempt to assert their own equality and self-worth. With a stirring original score by Peter, Paul, and Mary's Peter Yarrow, Lee Grant's first film is a knockout as relevant now as it ever was.

Dir. Alison Reid - 2019 - 83m - Canada

ONLINE AT-HOME VIEWING LINK AVAILABLE NOW BY CLICKING HERE!  

PART OF THE SCREENING FEE GOING TO HELP US ALONG DURING THESE CHALLENGING TIMES! 

SPECIAL THANKS TO THE ABQ BIOPARK!

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild.  In THE WOMAN WHO LOVES GIRAFFES Anne (now 85) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. THE WOMAN WHO LOVES GIRAFFES gives us a moving perspective on both.

"Alison Reid deserves high praise for fine storytelling, combining ecology and social-justice issues while focusing on a woman ahead of her times, whose ambitions were thwarted by institutional sexism." - Bruce DeMara, Toronto Star

"The film is a triumph and inspiration." - Steven Prokopy, Third Coast Review

"The Woman Who Loves Giraffes shows the important scientific contributions and fascinating life of a giraffe-loving feminist pioneer." - Gillian Anderson, The Stranger (Seattle, WA)

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Dir. Bertrand Bonello - 2019 - 103m - France - In French, Creole & English with English subtitles - No Matinees

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Part of your purchase will go to helping us in these challenging times!  A great way to support both your local arthouse cinemas during our temporary closure and quality international filmmaking!  See instructions for viewing this title after rental purchase by clicking here.

The latest from French master Bertrand Bonello (Saint Laurent, Nocturama) - Zombi Child is an “audacious & cunning” (Little White Lies) new take on classic horror tropes that “poses timely and provocative questions...a zombi drama that’s not undead but bracingly alive" (Screen Daily).

Haiti, 1962. A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at a prestigious all-girls boarding school, Melissa, a young Haitian teenager, confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable.

"Mixing political commentary, ethnography, teenage melodrama and genre horror, the film is an unashamedly cerebral study of multiple themes – colonialism, revolution, liberalism, racial difference and female desire - with its unconventional narrative structure taking us a journey that’s as intellectually demanding as it is compelling. Bonello takes Haitian history and culture absolutely seriously, and in juxtaposing them with the most exclusively white French experience imaginable..., Zombi Child poses timely and provocative questions. Crisp lensing by Yves Cape, Katia Wyszkop’s design, and music by artists including rapper Damso, plus Bonello himself, combine to make a richly conceived piece. Strong performances from the young cast, including charismatic newcomer Louimat, make this a zombi drama that’s not undead but bracingly alive." - Jonathan Romney, Screen Daily

"Instead of overlaying modern-day signifiers on a period piece setting, as he did in House of Pleasures, Zombi Child suggests two temporalities that exist parallel to each other. And the anxiety this creates—through discursive editing and match cuts—leads to a feverish payoff, one that uses genre and supernatural elements to further Bonello’s idea of there being one historical continuity." - Sam Mac, Slant Magazine

"Folding history onto itself more explicitly than any of Bonello’s previous films, “Zombi Child” peels back centuries of racist stereotypes to rescue Voodoo from the stuff of black magic and portray it instead as a kind of communion — a communion between spirits, a communion between generations, and a communion between the dislocated joints of an empire. [E]ven the most terrifying scenes are rooted in something real." - David Ehrlich, IndieWire

"Bonello’s exquisite use of craft, including poetic day-for-night photography by Yves Cape (Holy Motors) and a strong electro-rock score, is definitely a plus, creating an ambiance that bewitchingly accompanies the action. " - Jordan Mintzer, The Hollywood Reporter

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