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Days And Nights

Nov 21 to Nov 26
Friday to Wednesday 4:45, 8:30

Dir. Christian Camargo - 2014 - 92m

DAYS AND NIGHTS is writer/director Christian Camargo’s directorial debut, inspired by Anton Chekhov’s The Seagull and set in rural New England in the 1980s. The film centers around Elizabeth (Allison Janney), a movie star, who brings her paramour Peter to her lakeside estate to visit her family on Memorial Day weekend. The household includes her ailing brother (William Hurt), her artist son (Ben Whishaw), his ethereal muse (Juliet Rylance), the family doctor (Jean Reno) and the estate's custodian (Russell Means), the careless caretaker (Michael Nyqvist) and his wife (Cherry Jones), their temperamental daughter (Katie Holmes) and her long suffering ornithologist husband (Mark Rylance) -- the keeper of the sacred land where a bald eagle is trying to raise its young. During the weekend a disastrous turn of events leads the family from dysfunction to heartbreak and, ultimately, salvation.

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Pelican Dreams

Nov 21 to Nov 26
Friday to Wednesday 3:00, 6:45

Dir. Judy Irving - 2014 - 79m


What’s it like to try to get to know a flying dinosaur? Sundance-and-Emmy-Award-winning filmmaker Judy Irving (“The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges. The film is about wildness: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? Pelican Dreams, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).

“A wealth of feeling is the hallmark of Irving's documentaries: feeling, self-questioning, a clarity of intention that reminds one of Agnes Varda.” - Richard von Busack, MetroActive

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Who Killed Vaudeville?! A Movie Clip Show & Talk with Frank Cullen!

Nov 23
1pm Sunday Only!

1900s to presen - 90m approx - All Seats Just $5 !!

What was Vaudeville?  When did it begin?  What happened to it?  

All the popular movie comedians, dancers & singers from the days of silent pictures to early television got their start in vaudeville, the first bigtime show business in America.  Movies, radio and television turned to vaudeville to star in its comedy and musical shows.

Join us to enjoy a vaudeville show on film starring Ed Wynn, Ethel Waters, Blossom Seeley & Benny Fields, Wiere Brothers, Slim Rhyder, Duncan Sisters, George Carl, A. Robins, Nicholas Brothers, Cab Calloway & His Band.

Host Frank Cullen was honored by The NYC Theatre Museum for his 'Excellence in Preservation of Theatre History.'  Frank is co-founder of the American Vaudeville Museum; co-founder of ABQ Film Club; author of Vaudeville, Old & New:  an Encyclopedia of Variety Performers in America and four Porridge Sisters Mysteries.

Who Killed Vaudeville?!   A Movie Clip Show & Talk with Frank Cullen! poster

Alibi Midnight Madness Presents

Dumb and Dumber - 20th Anniversary!! poster

Dumb and Dumber - 20th Anniversary!!

Dec 12 to Dec 13
Friday and Saturday 10:30pm ONLY!

Dir. Bobby Farrelly and Peter Farrelly - 1994 - 107m - an ALIBI MIDNIGHT MOVIE MADNESS presentation! $8 general / $6 students

The original theatrical release!

Delivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask. The film pairs the rubber- faced wacky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. 

"A movie that fully lives up to its name, right down to an opening credit sequence rife with intentional misspellings and grammatical errors." - Stephen Holden, New York Times

"The wholeheartedness of this descent into crude and rude humor is so good-natured and precise that it's hard not to partake in the guilty pleasures of the exercise." - Variety Staff

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