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Color Me Obsessed: A Film About The Replacements

Jan 26 to Feb 1
Thursday to Wednesday 5:00, 9:00

Dir. Gorman Bechard - 2011 - 123m

With COLOR ME OBSESSED, the first documentary on the influential '80s indie-rock band, The Replacements, director Gorman Bechard brings an extraordinary vision to a unique filmmaking challenge. Told through the eyes of fans, friends, and contemporaries, the film breaks from the traditional music documentary format of music and performances. “Not wanting to make a VH1/where-are-they-now style documentary, I decided to present the band in a more iconic way,” the director explains. “I thought, people believe in God without seeing or hearing him but rather through the passion, faith, and stories of others.  After watching COLOR ME OBSESSED, I’m pretty sure music fans will believe in The Replacements in much the same way.”

Telling the band’s story was a project close to the heart for Bechard.  Like many who were weaned on punk music he latched onto this brash young Minneapolis band with fervor.  Dubbed “the last best band” by Spin Magazine, their live shows could be miraculous or downright disasters. Their fans, unwaveringly faithful. As critic’s darlings, their albums were wrought with angry guitars and passionate well-written lyrics that hinted at potential commercial success. Yet, somehow, the band managed to continually shoot themselves in the foot.  Their relative obscurity was a motivating factor in presenting their story on film.  “The Replacements should have been the next Rolling Stones,” Bechard says, “And to the people who loved them, I think they were.”

Combining over 140 interviews with rockers (Colin Meloy of The Decemberists, Craig Finn of The Hold Steady, Tommy Ramone, Grant Hart and Greg Norton of Husker Du, all three members of Goo Goo Dolls), journalists (Robert Christgau, Legs McNeil, Ira Robbins, Greg Kot, Jim DeRogatis), and fans both famous (Tom Arnold, Dave Foley, George Wendt) and not, Bechard delivers the obsessive tale of the most influential band you've never heard of, to many the greatest rock band of all time, The Replacements. And though containing not a note of their music, COLOR ME OBSESSED is a documentary that really rocks.

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Color Me Obsessed:  A Film About The Replacements poster

Dragonslayer

Jan 26 to Jan 29
Thursday to Sunday 3:00, 7:20

Dir. Tristan Patterson - 2011 - 74m

Directed by Tristan Patterson and executive produced by indie-maverick Christine Vachon, DRAGONSLAYER is the Grand Jury Prize Winner for Best Documentary at SXSW 2011 and the second feature film to be released theatrically by Drag City Records following Harmony Korine’s Trash Humpers.

An intimate vérité portrait of the life and times of Josh “Skreech” Sandoval, a 23-year-old skate legend from the stagnant suburbs of Fullerton, California, DRAGONSLAYER takes the viewer through a golden SoCal haze of lost youth, broken homes and abandoned swimming pools, set to a soundtrack of bands from indie-rock labels Mexican Summer and Kemado Records-including Best Coast, Bipolar Bear, Children, Dungen, Jacuzzi Boys, Little Girls and The Soft Pack—as well as Death and Thee Oh Sees.

“The measured vérité style of Frederick Wiseman meets the visual polish of Terrence Malick… Departing from the conventions of documentary portraiture, “Dragonslayer” delivers the cinematic equivalent of punk rock candy.” – Eric Kohn, indieWIRE

Related: ‘Critical Consensus: Skater Doc “Dragonslayer” Is The Pick of the Week’ – Peter Knegt, indieWIRE

“Alternately dreamy and abrasive, Dragonslayer is a submersion in an endless summer subculture…Patterson’s one-of-a-kind hybrid captures a socio-historical moment with the kind of charged authenticity that only comes from a willingness to embrace contradictions: It’s discursive and hypnotic, laconic and urgent.” – Karina Longworth, Village Voice

 “Dragonslayer is the Donnie Darko of documentaries: cogent and atmospheric, charismatic and elliptical, shot with a beery, stale amber warmth.” – Paper Mag

 “Straggly but earnest…a very odd yet stirring bit of non-fiction tragedy.” – Glenn Heath Jr., The L Magazine

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The Three Worlds of Gulliver

Jan 28 to Jan 29
Saturday to Sunday 11 a.m., 1pm

Dir. Jack Sher - 1960 - 100m - MOM'S MATINEE CONTINUES WITH FANTASTIC WORLDS OF RAY HARRYHAUSEN - All Seats $5

Imaginative special effects by the legendary Ray Harryhausen are the highlights of this adaptation of Jonathan Swift's classic fantasy novel. Kerwin Mathews, who rose to fame after appearing opposite Harryhausen's "Superdynamation" effects in The Seventh Voyage of Sinbad (1958), stars as the English Dr. Gulliver, whose travels bring him in contact with both the diminutive Lilliputians and the gigantic Brobdingnagians.  Featuring a rousing Bernard Herrmann score too.

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Alibi Midnight Madness Presents

The Innkeepers  poster

The Innkeepers

Feb 3 to Feb 4
Friday and Saturday 10pm, 12 Midnight

Dir. Ti West - 2011 - 101m - All Seats $7 - Burning Paradise Members $5 - An ALIBI MIDNIGHT MOVIE MADNESS PRESENTATION!

From director Ti West (The House of the Devil) comes THE INNKEEPERS. Set in the venerable Yankee Pedlar Inn, which is about to shut its doors for good after over a century of service. Believed by many to be one of New England’s “most haunted hotels,” the last remaining employees -Claire (Sara Paxton) and Luke (Pat Healy)- are determined to uncover proof before it shuts down for good. As the Inn’s final days draw near, odd guests check in as the pair of minimum wage “ghost hunters” begin to experience strange and alarming events that may ultimately cause them to be mere footnotes in the hotel’s long unexplained history.

"The American horror industry may not have earned it of late, but it needs more filmmakers like Ti West. The Innkeepers is radiant with inspiration...Genuinely funny...Yielding a refined and sophisticated sense of dread. Ti west does it again." - Peter Hall, Moviefone

"A low-key, slow-burning supernatural tale in which a vivid, sympathetic female protagonist is progressively menaced in a distinctive locale...This is at heart an old-fashioned ghost story, made the more piquant by Paxton’s sympathetic, funny, vulnerable lead performance...There are several high-impact shocks among the delicate chills. - Kim Newman, Screen Daily

"West, unlike most whammy-driven horror filmmakers isn't afraid to take his time, building character and mood before pulling back the curtain...A slow burning creeper that pays off in spades." - Sam Adams, Philadelphia City Paper

"Genre maven Ti West goes further back in time for "The Innkeepers," a deliberately paced, dialogue-heavy ghost story in the style of Eisenhower-era B-pics...West's intent is to unsettle, not shock or scare -- until, at long last, the audience gets a good look at what's going bump in the night...Paxton is enormously appealing" - Joe Leydon, Variety

"Horror fans will appreciate a movie that doesn't need to beat them over the heads or eviscerate everyone onscreen to earn a shriek...A largely entertaining picture...Will please many die-hard genre aficionados." - John Defore, The Hollywood Reporter

"The indie king of the slow-burn horror flick is back, and this time Ti West is bringing along an unexpected dose of wit, warmth, and weirdly effective character-based comedy. He continues to advance his own unique brand of off-kilter, oddly creepy, and entirely original horror flicks... The Innkeepers marks his most original and novel flick to date. Paxton is an effortlessly charming young actress"- Scott Weinberg, FEARnet

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